{"title":"Malaysian publications","description":"","products":[{"product_id":"2024年马来西亚华人民俗研究论文集","title":"2024 Collection of Papers on Malaysian Chinese Folk Customs","description":"\u003ch2\u003e \u003cstrong\u003e▍Content Introduction:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e As a society of immigrants, customs and practices have shifted over the course of history, incorporating local elements and developing distinct cultures from their original homelands. This cultural tradition, characterized by differences within similarities and a profound unity within differences, particularly embodies the localized characteristics of Taiwanese and Malaysian social culture and folk customs. The \"2024 Collection of Research Papers on Chinese Folk Customs in Malaysia\" (ISBN: 9786297575223) compiles the latest research findings from scholars in Malaysia, Taiwan, and Hong Kong, exploring the diversity of Chinese society and the beauty of cultural integration through a comparative perspective.\u003c\/p\u003e\n\u003ch2\u003e \u003cstrong\u003e▍Table of Contents:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e About the AuthorEditor's Preface／ \u003cstrong\u003eChen Congyuan\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eCross-domain and Evolution\u003c\/strong\u003e • The Spread, Development, and Local Evolution of the Twenty-Four Festival Drum Art in Taiwan \/ \u003cstrong\u003eZheng Zhousheng, An Huanran\u003c\/strong\u003e • The Development and Characteristics of Anxi City God Worship in Taiwan \/ \u003cstrong\u003eXie Guiwen\u003c\/strong\u003e • Beyond the Native Land: The Evolution of the Worship of the God of Wealth in Taiwan and Horses \/ \u003cstrong\u003eCai Wuhuang\u003c\/strong\u003e • Fortune Poetry Without Borders: The Development and Transformation of the Earth God Oracle \/ \u003cstrong\u003eLi Shuru\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eFaith and Place\u003c\/strong\u003e • Immortal Masters and the Creation of a Sense of Place: A Study of the Folk Beliefs of Teochew Fishermen in Malaysia \/ \u003cstrong\u003eLin Qichun\u003c\/strong\u003e • Folk Beliefs and the Formation of Regional Society: A Case Study of the Chinese Local Society in Jelutong, Johor \/ \u003cstrong\u003eChen Jianfa\u003c\/strong\u003e • A Brief Analysis of the Social Welfare Activities of the Taoist Association of Malaysia: A Case Study of Jiyang Pavilion \/ \u003cstrong\u003eZhang Zhao\u003c\/strong\u003e • The Senior Citizens Association of the Nanhai Association of Perak, Malaysia and the Qixi Festival: A Study of the Inheritance of Chinese Customs and Rituals \/ \u003cstrong\u003eHuang Xinyang\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eText and Field:\u003c\/strong\u003e Legends of Southern Fujian Characters as Wong Tong-cheng, a Muar Writer \/ \u003cstrong\u003eKe Rong-san\u003c\/strong\u003e : \"Monkey Heart\" Sees the True Heart: A Comparative Study of Chinese and Malaysian Folk Tales \/ \u003cstrong\u003eLiao Xiao-wen\u003c\/strong\u003e : A Preliminary Study of the Folk Customs of Xiegang, Southern Johor \/ \u003cstrong\u003eMo Jia-\u003c\/strong\u003e hao: A Study of Zhenjun Dadi: An Examination of Zhenjun Temples on the Malay Peninsula \/ \u003cstrong\u003eLiu Jian-yu and Zhou Jian-xing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eMemory and Quyi\u003c\/strong\u003e • Nanyang Local Style: The Memory of \"Entertainment\" in Xinhua Tabloids in the 1950s and 1960s \/ \u003cstrong\u003eHuang Wenche\u003c\/strong\u003e • \"Vulgarity\" in Memory: The Cultural Functions of \"Gods\" and \"Ghosts\" in \"Vulgarity\" \/ \u003cstrong\u003eZhao Wei\u003c\/strong\u003e • An Introduction to Ma Xin's Local Music Quyi \/ \u003cstrong\u003eLiao Wenhui\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFuneral Customs and Memorials\u003c\/strong\u003e • Vanishing Traditions: A Survey of Funeral Customs among Fujianese in Malaysia \/ \u003cstrong\u003eLi Yongqiu\u003c\/strong\u003e • Positioning and Operation of New Generation Funeral Services in Taiwan and Malaysia: A Study of \"Winter Melon Travel\" (Taipei) and \"One Yuan\" (Kuala Lumpur) \/ \u003cstrong\u003eLin Hancong and Wang Xiujuan\u003c\/strong\u003e • The Inheritance of Overseas Chinese Folk Beliefs: An Analysis of the Zhongyuan Memorial Ceremony at the Guangdong Cemetery in Kuala Lumpur \/ \u003cstrong\u003eGao Jingyi\u003c\/strong\u003e\u003c\/p\u003e","brand":"淡江大学历史学系、新纪元大学学院、策略资讯研究中心","offers":[{"title":"Default Title","offer_id":50504960049368,"sku":"M00791","price":50.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/xIf3uchB66ea6e2cb3ce1_1726639660_420x420_947774c1-e80e-425b-ab94-2cee66bd527b.jpg?v=1751094076"},{"product_id":"513解密-1969年大马种族暴乱50周年版简体书","title":"513 Declassified Documents (50th Anniversary Edition)","description":"\u003cp\u003e Publication Date: 2019\/06\/11\u003cbr\u003e Author: Ke Jiaxun Pages: 141\u003cbr\u003e Number of openings: 21.6x15.2\u003cbr\u003e ISBN：9789834136789\u003cbr\u003e Publisher: Voice of the People of Malaysia\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e  \u003cp\u003eBy popular demand, the author has republished this bestseller in a commemorative edition to coincide with the 50th anniversary of the May 13 Incident. The new preface offers insightful commentary on the current political drama in Malaysia. This book offers the first compelling account of the 1969 \"May 13 Clan Riots.\" The author waited until the 30-year statute of limitations on the archives in London had expired before he was able to access declassified documents from the National Archives in London. These documents provide covert observations and memoranda made by intelligence officers in British and other foreign embassies. Their work is based on intelligence gathered and contacts with local officials and politicians, including dispatches and messages sent by correspondents.\u003c\/p\u003e  \u003cp\u003eAt the time, these dispatches or messages were censored. Kua Kah Sun, a social scientist, offers a fresh and unique political analysis of the \"May 13 Incident,\" which triggered the most serious political and social crisis in Malaysia's history. The author argues that the riots were not, as the official version portrays them, a sudden and spontaneous outbreak of violence between Malays and Chinese. Rather, they were a carefully orchestrated coup by the emerging bureaucratic bourgeoisie within UMNO against the aristocratic class led by Tunku Abdul Rahman.\u003c\/p\u003e\n\u003cp\u003e He delves into the internal contradictions arising from the Alliance's racial agenda after independence, while also tracing the rise of the new Malay bourgeoisie that has governed Malaysia since 1969. Sadly, the book remains as relevant today as it was in 2007.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e\n\u003cp\u003e Ke Jiaxun\u003c\/p\u003e  \u003cp\u003eA social scientist offers a fresh and unique political analysis of the May 13 incident, which triggered the most serious political and social crisis in Malaysia's history. The author argues that the riots were far from being a sudden, spontaneous outbreak of violence between Malays and Chinese, as portrayed in the official version of events.\u003c\/p\u003e\n\u003cp\u003e This was a carefully planned coup launched by the emerging bureaucratic bourgeoisie within UMNO against the aristocratic class led by Tunku.\u003c\/p\u003e","brand":"文运","offers":[{"title":"Default Title","offer_id":50504960082136,"sku":"M00241","price":30.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/pq6Jyg_fca0e485-ec53-4e02-a713-5685757af35f.jpg?v=1751094075"},{"product_id":"air-林健文诗集","title":"Air: The Poems of Lin Jianwen","description":"\u003cp\u003e Publication Date: April 2024 Pages: 185\u003cbr\u003e Number of openings: length 21 × width 14.8\u003cbr\u003e ISBN：9786297674018\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction: \u003cbr\u003eThe book is divided into five volumes. Volume 1, \"Because of Malaysia,\" interweaves the poet's narrative with the history of his ethnic group. Volume 2, \"Because of Perak,\" describes the streets and buildings of Perak, expressing the poet's mournful reflections on the local history of his hometown. Volume 3, \"Because of Recitation,\" is dedicated to poetry recitation, reflecting the poet's observations and reflections on poetry recitation. Volume 4, \"Because of Survival,\" describes daily life and life experiences. Volume 5, \"Because of Poetry and Life,\" uses the poet's own words to express the poet's positive views on life and creation.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e Lin Jianwen\u003c\/p\u003e\n\u003cp\u003e A native of Sungai Kunyit, Perak, Malaysia, he graduated from the Faculty of Industrial Science, Universiti Teknologi Malaysia.\u003c\/p\u003e\n\u003cp\u003e He has won the New Poetry Recommendation Award at the 6th Sin Chew Daily Huazong Literary Award and the New Poetry Outstanding Award at the 4th Sin Chew Daily Huazong Literary Award.\u003c\/p\u003e\n\u003cp\u003e He has written the poetry collections \"Cats Living in a Tropical Primeval Forest\" and \"Cat Shadows Occasionally Appear at the Five-Footbridge of History\".\u003c\/p\u003e\n\u003cp\u003e Editor-in-chief of the children's poetry collection \"Bringing a Lot of Suitcases to the Beach: Malaysian Chinese Children's Poetry Collection 2022\".\u003c\/p\u003e\n\u003cp\u003e He has participated in the performance of Dongdiyin and served as a judge in national poetry recitation and literary creation competitions many times.\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504960147672,"sku":"M00597","price":32.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/pic5.jpg?v=1751094073"},{"product_id":"一个人的都市","title":"A city of one person","description":"\u003cp\u003e Publication Date: June 2023\u003cbr\u003e Author: Lü Yutao Pages: 180 Dimensions: 14.6 cm x 21 cm\u003cbr\u003e ISBN：9789670744858\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e  \u003cp\u003eThe Collected Poems of Lü Yutao. Divided into four volumes, the book contains 55 poems. The poet uses poetry to express his emotions and aspirations, capturing his daily life and the transformation of his city under the influence of politics and current events.\u003c\/p\u003e\n\u003cp\u003e Yow Cheun Hoe's preface recommends:\u003c\/p\u003e\n\u003cp\u003e Lü Yutao takes the position of an urban resident, thinking about and writing about the country's environment, system and structure.\u003c\/p\u003e\n\u003cp\u003e The poet uses lyricism or narrative, or both, to move all kinds of uneasy agitation and turn them into stable words in poetry.\u003c\/p\u003e\n\u003cp\u003e I want to know you. Please enter my body. Like locusts crawling across my lungs, I'll replicate your genes in the host's cells. I'll replicate your short life. A gentle dream of a pompom flower.\u003c\/p\u003e\n\u003cp\u003e Let you carve the scars of your life in the place closest to my heart where you once lived, fought for your ideals, and lived through fibrosis, so that I will remember it for a long time when I breathe.\u003c\/p\u003e\n\u003cp\u003e We had a spring full of flowers\u003c\/p\u003e\n\u003cp\u003e Excerpted from Lü Yutao's \"A City of One Person\"\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e\n\u003cp\u003e Lu Yutao, a graduate of the Department of Computer Science at Campbell University in the United States, is currently the information technology director of a trust company.\u003c\/p\u003e  \u003cp\u003eHe has won the Taiwan Times Literary Award, the Huazong Literary Award, the Outstanding Young Writer Award, and the Fang Xiu Literary Award.\u003c\/p\u003e\n\u003cp\u003e He likes literature and technology, daze and running, forest and city. He has written a collection of poems \"In My Almighty Imagination Kingdom\" (1999\u003cbr\u003e ), \"Yellow Socks, a Book of Self-Defense\" (2008), and \"Searching for Home\" (2013).\u003c\/p\u003e\n\u003cp\u003e ▍Catalogue:\u003c\/p\u003e\n\u003cp\u003e Wind vane, increasing, or reverse order \/ You Junhao 7\u003c\/p\u003e\n\u003cp\u003e Secret Garden／\u003c\/p\u003e\n\u003cp\u003e Secret 23\u003cbr\u003e Dental Implants 24\u003cbr\u003e Listen 27\u003cbr\u003e Daily 30\u003cbr\u003e Weight 32\u003cbr\u003e Silence 33\u003cbr\u003e Friend 34\u003cbr\u003e Mathematics 35\u003c\/p\u003e\n\u003cp\u003e Mutated Text\u003cbr\u003e Poem 39\u003cbr\u003e Metamorphosis - To H 42\u003cbr\u003e That year you returned to Malaysia43\u003cbr\u003e Jio you write poetry 47\u003cbr\u003e Native Language Class 51\u003cbr\u003e Recalling last year's poetry recitation in the poetry recitation competition 55\u003cbr\u003e Secular Poetry Collection 59\u003cbr\u003e I bought a 3D printer online\u003cbr\u003e Memorial Hall 62\u003cbr\u003e Truth 63\u003cbr\u003e 2020 Chronicle 64\u003cbr\u003e Sentence 66\u003c\/p\u003e\n\u003cp\u003e Right to choose\u003cbr\u003e Nostalgia Code 75\u003cbr\u003e My Chinese Character of the Year 77\u003cbr\u003e 79 PM\u003cbr\u003e One-Eye 80\u003cbr\u003e Station 81\u003cbr\u003e Chair - To Liu Xiaobo 85\u003cbr\u003e Option 287\u003cbr\u003e L month S day 90\u003cbr\u003e Stand up 91\u003cbr\u003e National Anthem Far Away National Day 94\u003cbr\u003e White 96\u003cbr\u003e Black 98\u003cbr\u003e May, 1969 99\u003cbr\u003e Love and Death in Low-Risk Appetite Markets 101\u003cbr\u003e Order 105\u003cbr\u003e Slope - To Mandela 109\u003cbr\u003e The cloud of fake news laws invades the sky112\u003cbr\u003e The Magic of Five Thirteen 113\u003cbr\u003e Destiny Board Game 114\u003c\/p\u003e\n\u003cp\u003e Earthly World\u003cbr\u003e Inflatable Doll 119 \u003cbr\u003eCareer 122\u003cbr\u003e A City of One Person 127\u003cbr\u003e Inland Journey 140\u003cbr\u003e What Those Dust Particles Taught Me 142\u003cbr\u003e Human World 150\u003cbr\u003e The Last Day of Time Travel 151\u003cbr\u003e Dusk 154\u003cbr\u003e Taste of the City: Food Costume Show 155\u003cbr\u003e That Night We Watched the Meteors——Remembering the 2016 Olympic Badminton Finals 159\u003cbr\u003e Hometown Clouds 163\u003cbr\u003e Male 166\u003cbr\u003e Pause 10:54AM 168\u003cbr\u003e God in a Cafe 170\u003cbr\u003e After the Tide 172\u003cbr\u003e Labor Knot 174\u003c\/p\u003e\n\u003cp\u003e Postscript 177\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504961589464,"sku":"M00460","price":32.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/FWT9VQ_2da3ad3d-b331-4400-a3ab-5849479e4ac4.jpg?v=1751094044"},{"product_id":"一树花开","title":"A tree in bloom","description":"\u003cp\u003e Publication Date: 20220501\u003cbr\u003e Author: Dora Pages: 264\u003cbr\u003e Size: 20.4 cm x 30.6 cm\u003cbr\u003e ISBN：9789670744735\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e\n\u003cp\u003e This book contains forty-one essays written by Fang Mei between 2001 and 2021, divided into three collections.\u003c\/p\u003e\n\u003cp\u003e The first volume, \"A Breeze Passing the County,\" describes past events, the scenery, and people of the hometown; the second volume, \"A Feast for the Children,\" moves back in time to the author's childhood, describing his family and his upbringing. Both volumes were written in North Borneo, in the author's hometown of Sabah.\u003c\/p\u003e\n\u003cp\u003e In the third volume, “Island Flowing Lights”, time and space have passed, and the author has now migrated to Penang. His writing has also been pulled back from looking back, focusing more on the daily life in reality, writing about the present and the events, and writing about what he has seen and heard, as well as human feelings.\u003c\/p\u003e\n\u003cp\u003e Zhang Jinzhong:\u003c\/p\u003e  \u003cp\u003eFang Mei's prose is plain, clear, and uniquely emotional, leaving readers with a lasting impression. Her prose displays a uniquely subtle sentimentality and nostalgia, reflecting on the passing of time with a melancholy rather than a sorrowful one, a sense of loss without exaggeration. Her writing is consistently concise and unrestrained, casual and relaxed, yet profoundly meaningful.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e\n\u003cp\u003e Fang Mei, formerly known as Xiao Meifang, is from Sabah, East Malaysia. She holds a Master of Chinese Literature from Nanjing University and works as a marriage registrar and a part-time Hanjiang Chuan\u003c\/p\u003e\n\u003cp\u003e Lecturer in the Chinese Department at the Media University College. Second Vice Chairman of the Northern Malaysia (Penang, Kelapa) Branch of the Malaysian Writers Association, and Honorary Director of the Malaysian Children's Literature Association.\u003c\/p\u003e\n\u003cp\u003e He has written the essay collections \"Batik Summer\" (1997) and \"Listening to the River\" (2007), as well as several children's novels.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e ▍Catalogue:\u003c\/p\u003e\n\u003cp\u003e Preface 01 ∕ A cigarette jar with a chip, an ashtray without a chip——Reading Fangmei's prose selection◎ Zhang Jinzhong 6\u003cbr\u003e Preface 02 ∕ Wait until the grass grows and the orioles fly, wait until the flowers bloom ◎ Liu Zheng 10\u003cbr\u003e Preface 03 ∕ The Land and the Islands, Collision and Fusion——Fang Mei Writes on North Borneo and Penang◎ Zhuang Xie 14\u003c\/p\u003e\n\u003cp\u003e First Volume:\u003cbr\u003e Auspicious winds pass through the county\u003cbr\u003e 01\/Blue Sand Waves Afternoon 18\u003cbr\u003e 02\/My Neighbor Big Bird 20 \u003cbr\u003e03\/Encounter with the Priestess 23\u003cbr\u003e 04\/Forgotten Mab 26\u003cbr\u003e 05∕Screaming Bridge 28\u003cbr\u003e 06∕Big Grass Flower Series 30\u003cbr\u003e 07∕Sleeping Plate 34\u003cbr\u003e 08∕Explanation of Asclepiadaceae 37\u003cbr\u003e 09∕Folded House 43\u003cbr\u003e 10\/Children who want to fly 45\u003cbr\u003e 11\/The Night is Still Dark 48\u003cbr\u003e 12∕Mata Gaya 52\u003cbr\u003e 13∕Sun Tribe 59\u003cbr\u003e 14\/Gray has been to 63\u003cbr\u003e 15\/Some books I have read 72\u003cbr\u003e 16\/The End of the World 75\u003cbr\u003e 17\/Usurpation and Savagery 81\u003cbr\u003e 18∕Let’s hear who says 88\u003cbr\u003e 19∕Talk about Wutong 95\u003cbr\u003e 20\/Missing Person Notice 98\u003cbr\u003e 21∕Return from the Abyss 103\u003c\/p\u003e\n\u003cp\u003e Second series:\u003cbr\u003e The Banquet of the Children\u003cbr\u003e 01\/My Territory 116\u003cbr\u003e 02\/Bright Days 119\u003cbr\u003e 03∕ Encountering Cicada 130\u003cbr\u003e 04\/Thinking of Father 136\u003cbr\u003e 05\/Fuji Years 139\u003cbr\u003e 06∕Sibiluo148\u003cbr\u003e 07∕Memory Menu 153\u003cbr\u003e 08∕Waiting for the Warblers to Fly and the Grass to Grow 158\u003c\/p\u003e\n\u003cp\u003e The third series:\u003cbr\u003e Island Streamer\u003cbr\u003e 01∕Cross-border Curiosity Hunter 166\u003cbr\u003e 02\/Other People's Nautical Chart 168\u003cbr\u003e 03∕Bench on the Bench 171\u003cbr\u003e 04∕Bread Bird 173\u003cbr\u003e 05∕Watching the Silk Sleeves Flutter in the Wind 175\u003cbr\u003e 06∕Port Location 178\u003cbr\u003e 07∕The So-called Pi Lane 180\u003cbr\u003e 08∕Mobile Barber 185\u003cbr\u003e 09∕Wash your eyes 187\u003cbr\u003e 10\/Miscellaneous Talks on Copper Pots 191\u003cbr\u003e 11∕Suja Qingxiang 194\u003cbr\u003e 12∕The Spectator's Tree 198\u003cbr\u003e 13∕There is also music and singing 200\u003cbr\u003e 14∕Slender Imagination 204\u003cbr\u003e 15∕A Cluster of Strange Flowers 206\u003cbr\u003e 16\/Eating code 213\u003cbr\u003e 17\/I dreamed of 219\u003cbr\u003e 18∕Life Continues 224\u003cbr\u003e 19\/Spring Village Tree 232 \u003cbr\u003e20∕ Bath Fun 238\u003cbr\u003e 21\/Cabin Moment 250\u003cbr\u003e 22\/Listener of Stealing Honey 254\u003c\/p\u003e\n\u003cp\u003e Postscript: Let the flowers bloom and bear fragrant fruits 256\u003c\/p\u003e\n\u003cp\u003e Chronology of Fang Mei 259\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504961622232,"sku":"M00323","price":40.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/GFFOBx_9b0be595-f03e-4885-a733-e4c593428364.png?v=1751094043"},{"product_id":"人工少女","title":"Artificial Girl","description":"\u003cp\u003e Publication Date: 20220601\u003cbr\u003e Author: Gong Wanhui Pages: 352\u003cbr\u003e Size: 21.36 cm x 30.65 cm\u003cbr\u003e ISBN：9789670744759\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003cbr\u003e A representative novel by Gong Wanhui. A story of imagination, ruins, desire, and the cruelty of youth in the post-epidemic era.\u003c\/p\u003e\n\u003cp\u003e When the plague strikes and the city becomes deserted, a father and his daughter Lilika walk into the ruins of the once prosperous city. They dig into the prehistoric past from their own memories and growth experiences, and embark on a journey of chasing time and memory.\u003c\/p\u003e  \u003cp\u003eLilika, an artificially created girl, is filled with curiosity and confusion about the world before her. In different rooms, like a father teaching his daughter to read, she identifies the fragments of civilization left behind by humanity—from the Renaissance work \"The Birth of Venus,\" the 1990s video game \"SimCity 2000,\" the Japanese anime \"Neon Genesis Evangelion,\" to cameras, zoos, and silicone sex dolls... These man-made objects, sealed in time, each gained meaning as she points them out.\u003c\/p\u003e\n\u003cp\u003e Artificial Girl, Gong Wanhui's first novel, approximately 150,000 words, received a 2017 Taiwan National Arts Council Malaysian Chinese Novel Creation and Publication Grant. The novel's twelve chapters are organized into \"rooms,\" like the scales of a clock; opening a door opens one into a compartment of time.\u003c\/p\u003e  \u003cp\u003eThrough the stories of a couple who repeatedly try and fail to conceive, a young girl named Keiko experiencing growing pains, and a young boy named Naoki, uneasy about his gender, the novel explores the eternal questions of creation and destruction, reality and fiction. If life can be artificially created, can we also freely fill the blank with memories and imagination? Is cloning life like cloning time, allowing us to relive the past?\u003c\/p\u003e\n\u003cp\u003e Artificial Girl continues Gong Wanhui's signature style of depicting brutal youth stories, imbued with unbridled imagination and poetic, surreal imagery. Written during the pandemic, the author also captures the ravages of the plague over the past two years, delicately describing the apocalyptic scenes of deserted streets and shopping malls, and the loneliness and self-harm of people cocooned in their rooms.\u003c\/p\u003e\n\u003cp\u003e Writer Shi Huimin's article introduction:\u003c\/p\u003e\n\u003cp\u003e \"Gong Wanhui breaks the time in the rational world and resists the cruel objective reality.\u003cbr\u003e The pain is too heavy, only poetry and magic can redeem it.\"\u003c\/p\u003e\n\u003cp\u003e About the Author: \u003cbr\u003eGong Wanhui was born in Batu Pahat, Johor, Malaysia. He studied at the Kuala Lumpur Academy of Fine Arts and the Department of Fine Arts of National Taiwan Normal University. He is currently engaged in writing and painting.\u003c\/p\u003e\n\u003cp\u003e He has won the United Daily News Literary Award, the Huazong Literary Award, the Seagull Literary Award, and the Malaysia Outstanding Young Writer Award. He was a visiting writer at the International Writers' Workshop (IWW) of Hong Kong Baptist University.\u003c\/p\u003e\n\u003cp\u003e He has written the novel collections \"The Age of Egg-laying\" and \"The Room Next Door\", the essay collection \"Morning School Bus\" and the picture collections \"Like Light and Shadow\" and \"Lighter than Loneliness\".\u003c\/p\u003e\n\u003cp\u003e ▍Catalogue:\u003cbr\u003e Introduction. Fictional Reality ◎ Shi Huimin\u003c\/p\u003e  \u003cp\u003ePrologue. A Journey. Room 1. The Black Room. Room 2. The Exchanged Child. Room 3. Cat Talk. Room 4. Cousin Sakura. Room 5. Pause Time in SimCity. Room 6. Venus in the Bathtub. Room 7. Natsumi's Clock. Room 8. Underground Commando. Room 9. Ragnarok. Room 10. Light in the Darkroom. Room 11. Pokémon Old Man. Room 12. The Rainforest in the Room. Postscript. The Invisible Daughter and the Invisible Father. Appendix. The Girl as a Method.\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504961818840,"sku":"M00339","price":48.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/ic6Oa9_5445d6cd-7af6-4d7d-9ce7-ef9018947ad8.png?v=1751094037"},{"product_id":"仇丝","title":"Qiu Si","description":"\u003cp\u003e Publication Date: 2023\/05\/15\u003cbr\u003e Number of Pages: 168\u003cbr\u003e Number of openings: length 21 × width 14.8\u003cbr\u003e ISBN：9789672466949\u003cbr\u003e Publisher: Red Dragonfly Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction: \u003cbr\u003eThe story takes place in a remote village. Lijuan's beauty constantly subjects her to teasing and lustful gazes, turning her initial pride into anxiety and distress. To protect herself, she brings home a young man she's just met, Liangqing. This offers a brief escape from those filthy gazes, and every day is filled with sweetness. Lijuan and Liangqing develop feelings for each other. One day, while they're making out in the shower room, Lijuan discovers the obscene Lao Huang peeping in. Lao Huang also desires intimacy with Lijuan, but Lijuan sternly refuses.\u003c\/p\u003e\n\u003cp\u003e One day, Lijuan was attacked on her way home. When she woke up from her coma, she saw only Lao Huang's disgusting face and his hurried escape. She realized that her greatest fear had happened to her. As she was heartbroken and wanted to commit suicide, the flames of hatred ignited in her heart.\u003c\/p\u003e  \u003cp\u003eLijuan was forced to leave her hometown. Despite the companionship of others, she could never fill the void in her heart, nor could she overcome the walls that trapped her. She yearned for her homeland and its people, longing for it. One day, years later, she seized the opportunity to return home and calmly set in motion her plan to make Old Huang experience the same pain and suffering she had endured. While this story seemed to be the end, it was actually the beginning of another story of revenge...\u003c\/p\u003e\n\u003cp\u003e The story peels back the threads of hatred, layer by layer, revealing the choices between good and evil within. When a person loses the meaning of life, is the best solution to perish alongside the evildoer? Will the story conclude perfectly when the villain you consider evil is punished?\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e Ma Tu Tu\u003c\/p\u003e\n\u003cp\u003e A native of Malaysia,\u003cbr\u003e I like to use the local Malaysian language.\u003cbr\u003e Writing the story of Malaysian Tutu.\u003c\/p\u003e\n\u003cp\u003e His writing reflects his personality; Ma Tutu's works are everything to him.\u003cbr\u003e To him, it doesn't matter whether he is male or female, old or young,\u003cbr\u003e What matters is how well the work is written.  \u003cbr\u003eThe Ma Tutu who writes is the real Ma Tutu.\u003c\/p\u003e\n\u003cp\u003e If you want to know more about Ma Tu Tu,\u003cbr\u003e The only way is to read Ma Tutu’s novels.\u003c\/p\u003e","brand":"红蜻蜓出版社","offers":[{"title":"Default Title","offer_id":50504961851608,"sku":"M00496","price":36.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/9789672466949.jpg?v=1751094036"},{"product_id":"余生","title":"The rest of my life","description":"\u003cp\u003e Publication Date: 20170501\u003cbr\u003e Author: Li Zishu Pages: 216\u003cbr\u003e Size: Length 21cm × Width 14cm\u003cbr\u003e ISBN：9789670744391\u003cbr\u003e Publisher: Someone\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e\n\u003cp\u003e Li Zishu selected 47 short stories from her older works and 24 from her uncollected works to create this collection. This is a review and summary of her farewell to short story writing.\u003c\/p\u003e\n\u003cp\u003e Li Zishu: “I don’t know when I will have the confidence to return to writing micro-fiction after this farewell, but I think it will definitely not happen in the next three or four years, and whether I can come back is still uncertain.\u003c\/p\u003e\n\u003cp\u003e The works in this collection are certainly my favorites or the ones I am most satisfied with. I also hope that through them, I can fully present to readers the city of micro-fiction that I have been committed to building in the past. \"\u003c\/p\u003e  \u003cp\u003eLin Gao (writer, invited director of the Singapore Writers Association): \"Reading this collection, I always feel that Li Zishu is narrating stories in reality. Even if the mood has cooled, the eyes remain warm, and readers can feel the author's understanding and care.\"\u003c\/p\u003e\n\u003cp\u003e Li Zishu's attentive writing is something that must be carefully savored, especially the emotional turning points, which often bring out a poetic feeling and make the aesthetic interest of the novel even more elusive.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e\n\u003cp\u003e Born in Ipoh in 1971.\u003c\/p\u003e\n\u003cp\u003e Since 1995, he has won numerous domestic and overseas literary awards such as Huazong, United Daily News and Times. He has also won the Malaysia Outstanding Young Writer Award, Yunlifeng Annual Outstanding Writer Award, and Nanyang Chinese Literature Award, etc.\u003c\/p\u003e\n\u003cp\u003e The novel \"The Age of Farewell\" won the Jury Award at the 4th Dream of Red Mansions Novel Award.\u003c\/p\u003e\n\u003cp\u003e He has published novels, collections of short stories, collections of micro-fiction, and collections of essays. Among the micro-fiction collections are \"Micro Li Zishu\", \"No Coincidence, No Book\" and \"Abbreviation\".\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504961917144,"sku":"M00103","price":32.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/0sAr5q_fbf7c925-d621-417b-9ed5-073f093a290e.jpg?v=1751094035"},{"product_id":"写照槟城-陈耀威图文集","title":"Portraying Penang: A Photographic Collection of Tan Yao Wei","description":"Publication Date: January 2023 Author: Chen Yaowei Pages: 146\u003cbr data-mce-fragment=\"1\"\u003e ISBN：9789671392188\u003cbr data-mce-fragment=\"1\"\u003e Publisher: Black Soil Design Institute\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e ▍Content Introduction:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e The 2007-2008 account of an era's humanistic observations of a city's ideal fictions, with a keen vision, generous writing, and a love for the land, reflecting the state of mind of a scholar of literature and history.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Chen Yaowei, a restorer of historical buildings, has been roaming the streets of George Town for many years. His concern and dedication to Penang and even local history far surpass others. When he explains the local old buildings, he always recounts the stories and talks about them eloquently, and is known as the \"Penang Land God\".\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \"Portraits of Penang: A Photographic Collection by Tan Yao Wei\" (ISBN: 9789671392188) compiles his astute observations and explorations of the city from 2007 to 2008, including his explorations of the struggles and transformations surrounding George Town's World Heritage inscription in 2008. These essays reflect the life experiences and concerns of architectural expert Yao Wei, who still focuses on heritage culture, but goes beyond it.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e▍Table of Contents:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Preface 1 \/ Kao Chia-chien \/ Guarding the Land, Protecting the City: A day spent with Chen Yaowei. The simple, down-to-earth demeanor exuded by Yaowei embodied the essence of this old colonial city of Penang, like the mellow, lingering sweetness of aged tea. Professor Dulwich spoke to me about Yaowei many times after returning to Taiwan, and we both fondly remember that encounter and our time together. Penang has since become a cherished memory, both for its splendor and for the presence of Chen Yaowei within it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Preface 2 \/ Huang Yuduan \/ Authentic Penang Through His Eyes Reading each of his articles, I find that Yao Wei masterfully captures the essence of Penang's diversity. His writing not only reveals his deep love for authentic Penang but also his bitter condemnation of those who have damaged it.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003ePreface 3 \/ Du Zhongquan \/ This series of illustrated columns by Tudigong Chen Yaowei is a collection of texts and pictures. Those who are familiar with Yaowei in real life can read the tone and expression of Yaowei when talking to us between the lines, as if he were right in front of us; for those who are not so familiar with Yaowei, just think of Yaowei sitting in a cafe and chatting with you, talking about the cultural relics that he cares about.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Heritage and Architecture\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Great Auspiciousness • Lantern Red Hair House • Durian Chinese Road Sign Oolong\u003cbr data-mce-fragment=\"1\"\u003e 1957\u003cbr data-mce-fragment=\"1\"\u003e Nong Ying Merdeka (Nicaragua)\u003cbr data-mce-fragment=\"1\"\u003e The scene of felling trees and moving monuments to apply for World Heritage status: \"Night • Dawn\"\u003cbr data-mce-fragment=\"1\"\u003e Closer to death, squeezed to death, I mourn my loss. Batu Antong, a national cultural heritage, a lost swallow's nest, a street legend (Part 1)\u003cbr data-mce-fragment=\"1\"\u003e Market Tales (Part 2) \u003cbr data-mce-fragment=\"1\"\u003eThe tomb of the Kapitan of Sindh, the sacred tree and yellow flower heritage, the National Heritage Act, the discovery of Hakka village earthen buildings, Sanbao Mountain, a good thing shelved, the sudden success of the World Heritage application, the shophouse architecture, sodomy, auspicious \"heritage\"\u003cbr data-mce-fragment=\"1\"\u003e Suspected Happy Palace facade\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Celebrate Together\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eIndian temple fairs, hanging sacred garments for worship, Little India • Big Jesus, religious discussions about Maitreya Buddha, Maitreya - Kuberan, everyone is happy, national flag, ancient celebrations, Zhongyuan Festival, Eid al-Fitr, India's Nine Emperor Gods, Datuk Najian, Huahua Thaipusam, the God of Wealth, and the New Year's miscellaneous gatherings, lighting, Qingming Festival, Qingming performances, worshiping Buddha, gold-clad fluorescent Dashiye, Mengjiali\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Postscript to Chen Yaowei's Chronological Chronicle","brand":"黑土设计所","offers":[{"title":"Default Title","offer_id":50504962146520,"sku":"M00405","price":50.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/photooriginal-2567337-Whi9D.jpg?v=1751094029"},{"product_id":"半岛歌手","title":"Peninsula Singers","description":"\u003cp\u003e Publication Date: 20181001\u003cbr\u003e Author: Fang Lu Pages: 189\u003cbr\u003e Size: Length 21cm × Width 14.5cm\u003cbr\u003e ISBN：9789671624920\u003cbr\u003e Publisher: Alilulu\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e\n\u003cp\u003e Peninsula Singers, comprised of seven volumes, contains ninety-nine poems, including the 2016 Olympic theme poems, \"Rio Poems,\" \"Rio Paralympic Poems,\" and the 2018 May 9th general election theme poem, \"Election Imagery.\" Fang Lu writes in the preface, \"Poetry has always held an infinite passion for me. As always, no matter where or when, I always hope to respond with poetry, whether in duet, chorus, or solo recitation. The world needs poetry. Its power can perhaps balance the impact of time and mitigate its rapid passage. Without poetry, the world would be like a soulless entity. With poetry, even in the desert, we can find an oasis of peace and tranquility.\"\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e\n\u003cp\u003e Originally named Li Chengyou and Li Chengyou, nicknamed Dashui, he was born in 1964 in Bukit Mertajam.\u003c\/p\u003e  \u003cp\u003eBorn in Chao'an, Guangdong, he graduated from Bukit Mertajam Ngee Sin Independent High School and Pingtung Institute of Technology in Taiwan.\u003c\/p\u003e\n\u003cp\u003e He has written the poetry collection \"Fish\" (1999), the poetry collection \"Sad Metaphor\" (2004), the prose collection \"One-Way Street\" (2005), the short story collection \"Elegy\" (2006), and the poetry collection \"Telephone Booth\".\u003c\/p\u003e","brand":"阿里路路","offers":[{"title":"Default Title","offer_id":50504962408664,"sku":"M00116","price":30.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/rdgbSK_ae66e417-e0d7-4be7-8e3e-ca702d134396.jpg?v=1751094024"},{"product_id":"南方少年与健忘老头","title":"The Southern Boy and the Forgetful Old Man","description":"\u003cp\u003e Publication Date: 20180501\u003cbr\u003e Author: Niu You Xiaosheng Pages: 212\u003cbr\u003e Size: Length 21cm × Width 14cm\u003cbr\u003e ISBN：9789670744452\u003cbr\u003e Publisher: Someone\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003cbr\u003e Niuyou Xiaosheng. Originally, he just wanted to write funny stories, but by chance he won the Huazong Prose Award. Many people saw this as a misnomer, and they began to urge him to change his name.\u003c\/p\u003e\n\u003cp\u003e In 1987, Niu You’s real identity (Chen Yuxin) was born in Johor Baru, Johor, the same year as Operation Lalang. In the same year, a Marxist conspiracy incident also occurred in Singapore, and many innocent people were arrested. Niu You had no knowledge of these things while growing up.\u003c\/p\u003e\n\u003cp\u003e Niu You has written two collections of essays: The Lightness of the Bourgeois Like Allergy and Men and Women on the Train. Besides Hua Zong, he has also won the Liang Shiqiu Essay Award.\u003c\/p\u003e  \u003cp\u003eYes, it’s all related to prose. Niu You’s journey in novel writing has taken the first funny step.\u003cbr\u003e https:\/\/www.facebook.com\/NiuYouXiaoSheng\/\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e A collection of short stories by Niuyou Xiaosheng. The recurring characters of the young man, Kakak, and the old man connect the author's constructed fictional world. Reality and absurdity constantly intertwine and entangle in our lives. Sometimes they coexist peacefully, sometimes they clash.\u003c\/p\u003e\n\u003cp\u003e Hong Kong novelist Han Lizhu wrote a preface and recommended:\u003cbr\u003e \"While reading this novel, I was sometimes struck by the characters' indifferent attitude towards all the oppression and even evil in life. The danger, cruelty, injustice, and pain hidden by the careful balance and safety of daily life are given space to unfold through the distanced, sometimes sharp, and sometimes ironic text. Yet, the novel is still full of warmth, because the narrator never ignores the voices on the margins.\"\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504962441432,"sku":"M00844","price":32.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/R69txq.jpg?v=1751094023"},{"product_id":"南邦诗剑烟云录","title":"Nanbang Poetry and Sword Records","description":"\u003cp\u003e Publication Date: April 2024 Pages: 472\u003cbr\u003e Number of openings: length 21 × width 14.8\u003cbr\u003e ISBN：9786297674025\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction: \u003cbr\u003eChen Die's 230,000-word martial arts novel is set over 600 years ago, during the usurpation of the throne by Zhu Di, Prince of Yan, and the escape of Emperor Jianwen during the Ming Dynasty. It draws on the stories of literary friends, the author's literary journey, and their deeds, weaving together a never-before-seen world of swords and ink.\u003c\/p\u003e\n\u003cp\u003e The famous Malaysian Chinese poet and critic Wen Renping recommends:\u003c\/p\u003e\n\u003cp\u003e Chen Die's \"Nanbang Poetry and Sword Records\" is a variant autobiography, featuring over 280 figures in Malaysian Chinese literature. Most of the characters' names are homophones, using metaphors, allusions, and borrowings. Chen Die's intention is not to be sarcastic or parody; she is intent on using a fictional character, Die Gu, to recount the people and experiences she has known over the past fifty years.\u003c\/p\u003e\n\u003cp\u003e \"Poetry, Sword, and Revenge\" is intertwined with emotional entanglements, and Chen Die's novel is also a confession of love.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e Chen Die\u003c\/p\u003e\n\u003cp\u003e Her original name was Chen Wanrong. She was born in Penang in 1953 and her ancestral home is Meixian, Guangdong.\u003c\/p\u003e  \u003cp\u003eAfter graduating from Chinese primary school, he attended a Chinese secondary school. After graduating from high school, he was appointed a book and publication inspector at the Ministry of Home Affairs in Kuala Lumpur, a position he held until his retirement. In 1984, he was transferred to Kuching, the capital of Sarawak, and returned to Putrajaya, Kuala Lumpur, in 1999. After retiring in 2011, he was appointed a director of the Film Censorship Department of the Ministry of Home Affairs, a position he held until 2013.\u003c\/p\u003e\n\u003cp\u003e Growing up in the mountains, I was bathed in the spiritual energy of Xishan, Qishan, and Heshan, and bathed in the surging tides. Influenced by my father's reading habits, I developed a love for literature. While in high school, I contributed to my hometown's \"Teaching and Learning Monthly.\" I have won the Wang Wancai Prose Award, the Xiao Wanxiang Prose Award, the Sarawak Constellation Poetry Society Prose Award, the Sin Chew Daily Huazong Literary Award for Prose, and the Sirius Poetry Society Malaysian Modern Poetry Award.\u003c\/p\u003e\n\u003cp\u003e In 1989, the Sarawak Chinese Writers Association published the essay collection \"Collection of Butterflies\", and in 1992, the association published \"Father and Daughter Picture\".\u003c\/p\u003e\n\u003cp\u003e In 2020, he received sponsorship from the Selangor Chen Zhiying Zhang Yuanling Education Fund to publish the essay collection \"Where Are You Going as the Sky Is Getting Dark?\"\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504962572504,"sku":"M00606","price":60.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/pic8.jpg?v=1751094019"},{"product_id":"号角举起-马华同志小说选2","title":"The Horn is Raised: Selection of Malaysian Chinese Gay Novels 2","description":"\u003cp\u003e Publication Date: 20190601\u003cbr\u003e Author: Xu Tongyuan Pages: 324\u003cbr\u003e Size: Length 21cm × Width 14cm\u003cbr\u003e ISBN：9789670744600\u003cbr\u003e Publisher: Someone\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e  \u003cp\u003eIn 2007, Youren Publishing House published \"One Will: A Selection of Malaysian Chinese Gay Novels,\" which included nine stories on LGBT themes. Twelve years later, Xu Tongyuan compiled another collection of Malaysian Chinese LGBT novels, releasing \"The Horn Raised: A Selection of Malaysian Chinese Gay Novels II,\" adding a new chapter to Malaysian LGBT literature and expanding the landscape of Malaysian LGBT fiction. The selected LGBT novels are not limited to gay men and lesbians, but also include works from other gender-discriminated groups, collectively referred to under the umbrella of LGBT.\u003c\/p\u003e\n\u003cp\u003e The 14 selected novels are as follows: \"Hua Dan\" by Mike, \"Flower is Not a Flower\" by Ya Meng, \"I Give the Cat to Him\" ​​by Lin Ailin, \"The Solo Dancing Figure\" by Xia Shaohua, \"The Principal's Godson\" by Zhang Yongxiu, \"Skylight\" by Weng Xianwei, \"Take Action\" by Chen Zhihong, \"Zero Degree of Encounter\" by Yang Bangni, \"Eva\" by Li Zishu, \"FAHAM\" by Qi Zi, \"We Embrace Each Other on the Cold Island\" by Wu Xinlin, \"The Temptation of Abstinence\" by Hezt, \"Hanhan\" by Lin Weidi and \"My Teacher is a Terrorist\" by Xu Tongyuan.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e\n\u003cp\u003e Editor-in-chief: Xu Tongyuan.\u003c\/p\u003e  \u003cp\u003eXu Tongyuan is currently the Director of the Southern University College Library, Director of the Malaysian Chinese Literature Museum, Executive Editor of \"Banana Wind\", Lecturer of the Bachelor of General Education program, Editorial Board Member of the \"Southern University Journal\" and Chairman of the Johor Writers Association Joint Committee.\u003cbr\u003e He is the author of the novel collection \"Tales of Two Towns\" (2005), the very short story collection \"Burying the Leeches\" (2011), the essay collection \"Waiting for the Nautilus\" (2011), the poetry collection \"Killing a Bottle of Lactic Acid Bacteria\" (2014), and the short story collection \"My Teacher is a Terrorist\" (2018).\u003cbr\u003e He has edited and published books such as \"One Aspiration: A Selection of Novels by Malaysian Chinese Gays\" (2007), and co-edited \"Fifty Years of Chinese Literature in Singapore\" (2015), \"Lu Xun in Southeast Asia\" (2017), and \"May Fourth Movement in Southeast Asia\" (2019).\u003cbr\u003e Co-directed the documentary film \"In Between\" (Faham, 2018), which premiered at the Free Film Festival in Johor.\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504963031256,"sku":"M00049","price":43.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/TtRJw7_6ba8c512-0ef4-4f91-9cee-83ca832f10b4.jpg?v=1751094012"},{"product_id":"吃时间","title":"Eating time","description":"\u003cp\u003ePublication Date: 20180601\u003cbr\u003e Author: Zeng Linglong Pages: 336\u003cbr\u003e Size: Length 21cm × Width 14cm\u003cbr\u003e ISBN：9789832812513\u003cbr\u003e Publisher: Someone\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003cbr\u003e Zeng Linglong's collection of essays is divided into five volumes.\u003c\/p\u003e\n\u003cp\u003e Volume 1: A Thing Volume 2: A Journey Volume 3: Some Thoughts Volume 4: A Book Volume 5: A Group of People\u003c\/p\u003e\n\u003cp\u003e The collected articles are from 2004 to 2018, and they all take up time.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e Zeng Linglong\u003c\/p\u003e\n\u003cp\u003e He is from Sepang, Selangor, Malaysia, and his ancestral home is Huiyang, Guangdong.\u003c\/p\u003e\n\u003cp\u003e He has won the Huazong Literary Award, the Seagull Literary Award, the Taiwan Times Literary Award, the Religious Literature Award, etc. In 2012, he won the Malaysia Outstanding Young Writer Award.\u003c\/p\u003e\n\u003cp\u003e He is currently the Director of Cultural Promotion and Planning of Sin Chew Daily, Editor-in-Chief of Xuehai Weekly, and Editor-in-Chief of Youren Publishing House.\u003c\/p\u003e\n\u003cp\u003e Published works\u003c\/p\u003e\n\u003cp\u003e Poetry Collection:\u003cbr\u003e Somebody North (2007, Somebody)\u003c\/p\u003e\n\u003cp\u003e Prose Collection:\u003cbr\u003e I Once Pastured Time (2009, by someone)\u003cbr\u003e \"Recalling the Jianghu\" (2010, with some people)\u003c\/p\u003e\n\u003cp\u003e Fiction Collection:\u003cbr\u003e The Fugitive Poet (2012, You Ren\/Taiwan Bao Ping)\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504963064024,"sku":"M00086","price":42.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/sukkEv.jpg?v=1751094012"},{"product_id":"啃日子","title":"Eating life","description":"\u003cp\u003e Publication Date: 20180601\u003c\/p\u003e\n\u003cp\u003e Author: Ken Fang Pages: 244\u003cbr\u003e Size: Length 19cm x Width 13cm\u003cbr\u003e ISBN：9789670744506\u003cbr\u003e Publisher: Someone\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003cbr\u003e Ken Fang's essay collection, \"Eating the Days,\" explores the flavor of life. This flavor, hidden in the soft and hard details of life, in the scenery captured during travel, and of course, in everyday food, is complex, multi-layered, even trivial and indescribable, needing no further explanation.\u003cbr\u003e When writing about life and daily life, Fang Ken gradually reveals his joys, sorrows, anger and happiness, but often stops at just the right moment, allowing readers to return to their own daily lives in an instant and find the taste they have lost or forgotten.\u003c\/p\u003e\n\u003cp\u003e About the Author \u003cbr\u003eHe is from Johor Bahru, Johor, a freelance writer, and currently lives in Kuala Lumpur.\u003cbr\u003e Watch only one movie, read one book, listen to one song a day.\u003cbr\u003e Days surround days, one after another.\u003cbr\u003e Just enjoy life while you can, eat well and sleep well.\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504963129560,"sku":"M00107","price":35.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/Wu5kOP_33a1e6cf-e45d-482e-877d-aaef1e17d863.jpg?v=1751094010"},{"product_id":"喧腾的山林-一个游击战士的昨日志","title":"Roaring Forest: A Guerrilla Fighter's Yesterday","description":"\u003cp\u003e Publication Date: 20190601\u003cbr\u003e Author: Hai Fan Pages: 216\u003cbr\u003e Size: Length 21cm x Width 14cm\u003cbr\u003e ISBN：9789670744544\u003cbr\u003e Publisher: Someone\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e\n\u003cp\u003e In 1976, at the age of 23, Hai Fan joined the armed forces led by the Malayan Communist Party and became a soldier of the Malayan People's Army. In 1989, the Hat Yai Peace Accord was signed, and after 13 years of guerrilla life, Hai Fan emerged from the jungle.\u003c\/p\u003e\n\u003cp\u003e In 2017, Hai Fan unearthed the hidden treasures of Malayan Communist Party fiction with his collection of short stories, \"Delicious Hunger.\" In his latest collection of essays, \"Roaring Forests: A Guerrilla Fighter's Yesterday,\" Hai Fan returns to the mountains with a simple pen and a historical eye, piecing together the fragments of unforgettable memories and leading us into this social struggle that stretched on for half a century.\u003c\/p\u003e  \u003cp\u003eThe book is divided into three volumes. Volume one is \"History, Turning to Page 691 - A Journey to the Former Site of the Voice of Revolution Radio Station in Malaya\", which contains eight articles and more than 20,000 words, recording the story of the Voice of Revolution Radio Station which started broadcasting in Hunan, China in 1969 and ceased broadcasting in 1981.\u003c\/p\u003e\n\u003cp\u003e The second volume, \"As if in Another World,\" contains 24 essays describing daily life in the rainforest, such as the living habits of animals and plants, herbs, tools, job divisions in the army, dietary conditions, spiritual entertainment, etc.\u003c\/p\u003e\n\u003cp\u003e Volume 3, \"Speeches,\" includes two speeches, in which Hai Fan details his motivation for writing and reflects on the conflicts between personal experience, literary creation, family and national history, and the glory of human nature.\u003c\/p\u003e\n\u003cp\u003e These narratives unfold from daily life, but are not just personal daily life.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e\n\u003cp\u003e Hai Fan, once a soldier in the Malayan People's Army, fought in the rainforest for thirteen years. On December 2, 1989, with the signing of the Hat Yai Peace Accord between the Malayan Communist Party and the governments of Thailand and Malaysia, he ceased his armed struggle, disbanded his forces, and was able to return to society.\u003c\/p\u003e  \u003cp\u003eDuring his early years in the army, he published lyrics and novels. After a period of hiatus, he returned to writing in recent years, chronicling his guerrilla life, capturing the joys and sorrows of a unique period. His previous publications include the essay collection \"The Rainforest Tells You\" (Wenyun, 2014) and the novel collection \"Delicious Hunger\" (Youren, 2017).\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504963162328,"sku":"M00092","price":33.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/rP1TdC_7d4f8138-f773-421b-a2b3-fbd9c01d7681.jpg?v=1751094009"},{"product_id":"在伤口上重生-513事件个人口述叙事","title":"Rebirth from Wounds: A Personal Narrative of the 513 Incident","description":"\u003cp\u003e Publication Date: 2020\/05\/01\u003cbr\u003e Author: 513 Incident Oral History Group Pages: 252\u003cbr\u003e ISBN：9789670311494\u003cbr\u003e Publisher: Gerakbudaya\u003c\/p\u003e\n\u003cp\u003e ▍Brief Introduction:\u003c\/p\u003e\n\u003cp\u003e \"Reborn from Wounds: Personal Oral Narratives of the May 13 Incident\" collects 19 stories from 26 people about the May 13 Incident. May 13 refers to the street violence that erupted in Malaysia three days after the third general election in 1969. Although the riots lasted only two weeks, they changed the lives of many and altered the course of the country's development.\u003c\/p\u003e  \u003cp\u003eThe narrators include family members of the victims, firsthand accounts, and police officers. Half a century later, what trauma has this sudden disaster left in their hearts? How have they engaged in a lifelong internal dialogue with it? In a multiethnic society, how can we peacefully coexist and coexist? How can the path to post-traumatic reconciliation be initiated? This book not only attempts to document, but also hopes, through the narrators' repeated accounts, to make healing and dialogue possible.\u003c\/p\u003e\n\u003cp\u003e ▍Catalogue:\u003c\/p\u003e\n\u003cp\u003e Preface (I): \"Let Us Tell Our Stories\"—The Sad Secret of May 13th \/ Huang Jinshu Preface (II): Crazy Violence, the Fear of the Majority \/ Wei Yueping Introduction: Reflections on the May 13th Incident: Individual Narratives, the Politics of Memory, and the Ethics of Reconciliation \/ Fu Xianghong\u003cbr\u003e Timeline of major events from 1957 to 1971 Compilation of road and place names in Kuala Lumpur and Selangor Oral accounts by eyewitnesses\/families of victims Appendix (Various document images\/513 cemetery map\/map list)\u003c\/p\u003e","brand":"Gerakbudaya","offers":[{"title":"Default Title","offer_id":50504963195096,"sku":"M00053","price":35.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/8qX67v_b43faebb-c454-4e0a-83b3-120754ac7ab3.png?v=1751094008"},{"product_id":"夕阳之歌-马共小说选","title":"Sunset Song: Selected Novels of the Malayan Communist Party","description":"\u003cp\u003e Publication Date: 2023\/5\u003cbr\u003e Author: Huang Jinshu, Zhang Jinzhong (Editors) Pages: 328 Dimensions: 14.6 cm x 21 cm \u003cbr\u003eISBN：9789670744803\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003cbr\u003e Soldiers die, singing the song of sunset; words and statues write the chapters of history.\u003c\/p\u003e\n\u003cp\u003e Golden Branch | Hunger (preserved)\u003cbr\u003e Liang Fang | Moonlight on the Zinc Roof by He Jin | I am a Small Palm Tree by Xiao Hei | Drizzling Rain by Yu Chuan | Letters from Afar by Zhang Guixing | Group of Elephants (Excerpt)\u003cbr\u003e Li Zishu | Ying Pei'an, the Mountain Plague | Riot (Excerpt)\u003cbr\u003e Liang Jingfen | Earth Escape by Zeng Linglong | A Tale of No One by Zhang Baigan | Sunset Song by Ju Fan | Those Terrible Days by Li Yongping | Black Crow and the Sun by Chen Zhengxin | After the Loud Sound by Liu Jun, \"Turbulence in the Forest\" (Excerpt)\u003cbr\u003e Huang Jinshu | Raining Haifan | Wild Boar Zhang Jinzhong | Gecko Deng Guanjie | Paradise\u003c\/p\u003e\n\u003cp\u003e Huang Jinshu:\u003c\/p\u003e\n\u003cp\u003e Although novels are minor, they can also respond to history.\u003c\/p\u003e  \u003cp\u003eThe Japanese colonial era is over, but the Malayan Communist Party's legacy lives on in the present. Not to mention the over a thousand retired Malayan Communist Party members who still exist, and the unknown number of \"returnees\" who were \"repatriated to China\" by the British colonial government. The hundreds of new villages scattered across Malaysia alone are a contemporary continuation of past history.\u003c\/p\u003e\n\u003cp\u003e Zhang Jinzhong:\u003c\/p\u003e\n\u003cp\u003e Going to Southeast Asia, Japanese invasion, British colonial rule, state of emergency, independence, the Malayan Communist Party and the Sarawak Communist Party, the May 13 Incident, the Reformasi... History has been archived and ended in the name of various events, but our interpretation of history and memory, and our imagination of our country and nation have not ended, nor can they end.\u003c\/p\u003e\n\u003cp\u003e Different generations have different memories, imaginations, perspectives and interpretations, so that the narrative of family and country can continue from generation to generation. No matter how or where the novel is written, it can never avoid this historical jungle swamp.\u003c\/p\u003e  \u003cp\u003eHuang Jinshu (born 1967) is a native of Nan'an, Fujian Province, and was born in Kluang, Johor. He moved to Taiwan in 1986. He holds a PhD in Literature from National Tsing Hua University and has taught in the Department of Chinese Language and Literature at National Chi Nan University since 1996. He has won several literary awards and is the author of the collection of essays \"Reality and Poetry: The Desire of Malaysian Chinese Literature\" and the collections of fiction \"Slow Boats of the Republic of China\" and \"By the River Where the Elephant Died.\"\u003c\/p\u003e\n\u003cp\u003e Zhang Jinzhong (born 1956) was born in Kuantan, Pahang, with his ancestral home in Chao'an, Guangdong. He moved to Taiwan in 1981. He holds a doctorate in Foreign Languages ​​and Literature from National Taiwan University. He is a retired professor of the Department of Foreign Languages ​​and Literature at National Sun Yat-sen University and currently a contracted researcher there. He has written the essay collection \"Wild Geese on the Charles River: Essays on Malaysian Chinese Literature, Volume 2,\" the novel collection \"Gecko,\" and the poetry collection \"Like the River, He Is His Own Silence.\"\u003c\/p\u003e\n\u003cp\u003e ▍Catalogue:\u003cbr\u003e When We Write the Preface to Ma Gong \/ Huang Jinshu 5\u003cbr\u003e Hunger (preserved) \/ Golden Branch 17\u003cbr\u003e Moonlight on the Zinc Roof \/ Liang Fang19\u003cbr\u003e I am a small palm tree \/ Hejin31\u003cbr\u003e Drizzling Rain \/ Xiao Hei 47\u003cbr\u003e Letters from Afar \/ Yuchuan71\u003cbr\u003e Group Elephants (Excerpt) \/ Zhang Guixing 81\u003cbr\u003e Mountain Plague \/ Li Zishu 101\u003cbr\u003e Riot (Excerpt) \/ Ying Pei'an 121\u003cbr\u003e Earth Escape \/ Leung Ching-fen 135 \u003cbr\u003eLove in a No-Man's Land \/ Zeng Linglong 163\u003cbr\u003e Sunset Song \/ Zhang Baiqun181\u003cbr\u003e Those Horrible Days \/ Jufan197\u003cbr\u003e Black Crow and the Sun \/ Li Yongping 213\u003cbr\u003e After the Loud Bang \/ Chen Zhengxin 229\u003cbr\u003e Wind and Waves in the Forest (Excerpt) \/ Liujun237\u003cbr\u003e Rain Falls \/ Huang Jinshu 255\u003cbr\u003e Wild Boar \/ Haifan 279\u003cbr\u003e Gecko \/ Zhang Jinzhong 295\u003cbr\u003e Paradise \/ Deng Guanjie 303\u003cbr\u003e Postscript after 1989 \/ Zhang Jinzhong 314\u003cbr\u003e Novel Source 321\u003cbr\u003e About the Author323\u003cbr\u003e Bibliography of Malayan Communist Party Novels 326\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504963883224,"sku":"M00464","price":46.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/TPTivS_21913fb0-e840-46cc-b944-c068cfd5af33.jpg?v=1751093999"},{"product_id":"夜曲","title":"Nocturne","description":"\u003ch2\u003e \u003cstrong\u003e▍Content Introduction:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e Xing Yiwang's poetry collection is divided into four volumes: \"One Body\", \"Delivery\", \"Elegy\", and \"Nocturne\".\u003c\/p\u003e\n\u003cp\u003e The poet describes himself in the postscript:\u003c\/p\u003e\n\u003cp\u003e This little book contains eulogies and elegies I have written to my parents, relatives, friends, strangers, myself, and others who are not me (the chapters in the fourth volume have been set to music). It is perhaps not an exaggeration to say that it is my personal collection of elegies.\u003c\/p\u003e  \u003cp\u003eThese elegies are fragmented fragments of life, intermittent farewells and regrets—a stark contrast to Rilke's celestial, transcendental, and integrated summary of life. I hope they can be as plain and sincere as possible, free of exaggeration and fabrication, but I can't force it. Let them be gathered together with the accumulation of my heart and the years. It can also be regarded as another clumsy confession of my life, like a book with no place to start, no meaning, and no address.\u003c\/p\u003e\n\u003ch2\u003e \u003cstrong\u003e▍Author:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003cstrong\u003eXing Yiwang\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e Born in Seremban, Malaysia in 1978. Originally from Hainan, he does not speak Hainanese. He graduated from New Era College and Feng Chia University with a Master's degree in Chinese. He holds a Master's degree in Chinese from Southern University College. He has taught at various schools, including Seremban High School, Bohai Middle School, and Anshun San Min Independent High School.\u003c\/p\u003e\n\u003cp\u003e Author of poetry collections:\u003cbr\u003e The Rusty Iron Age (Dajiang Publishing House, 2006)\u003cbr\u003e Love Songs: Seventy Sonnets and Two Long Poems (Dajiang Publishing House, 2007)\u003cbr\u003e Family Letters (Youren Publishing House, 2009)\u003cbr\u003e Salt: A Collection of Short Poems and Modern Haiku (Youren Publishing House, 2011)\u003cbr\u003e Spiral Terminal: A Collection of Short Poems (Dajiang Publishing House, 2012)\u003cbr\u003e Pharisees' Love Song (Brown Publishing, 2012) \u003cbr\u003eAdverbs: Notes on Prose Poetry (Manyan Bookstore, 2013)\u003cbr\u003e Xingxing (Dahe Culture Publishing House, 2016)\u003cbr\u003e Background Music (Southern University College, 2017)\u003cbr\u003e Transparent Dancer: A Picture Book Poem of Little Naked People (Dahe Culture Publishing House, 2018)\u003cbr\u003e Ink and Moonlight: Selected Poems of Xing Yiwang 1998-2013 (Youren Publishing House, 2022)\u003c\/p\u003e\n\u003ch2\u003e \u003cstrong\u003e▍Table of Contents:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e General Preface to the Nanyang University Hongyi Series 9\u003cbr\u003e How to Read Xing Yiwang's Poetry Collection \"Nocturne\" ◎ Wang Runhua 11\u003c\/p\u003e\n\u003cp\u003e Volume 1: One by One 29\u003cbr\u003e Hand in Hand 30\u003cbr\u003e Changzai: Send XMC 31\u003cbr\u003e Always 32\u003cbr\u003e Ontology 33\u003cbr\u003e Scorn: Send LQH 34\u003cbr\u003e Xingtian 35\u003cbr\u003e Kuafu 36\u003cbr\u003e Sound Wave 37\u003cbr\u003e Don't want 38\u003cbr\u003e 39\u003cbr\u003e Dance Step 40\u003cbr\u003e New Year's Eve\u003cbr\u003e black fire 42\u003cbr\u003e Abandoned Baby 43\u003cbr\u003e Eternal Development 44\u003cbr\u003e Let's Transform 45\u003cbr\u003e First Person Third Person 46\u003cbr\u003e Life Downgrade 47\u003cbr\u003e Learning Waste 48\u003cbr\u003e Israel and Palestine 49\u003cbr\u003e Israel and Palestine: Wax cold 50\u003cbr\u003e Thought: Send Myanmar Girl 51\u003cbr\u003e Meaning: Send AIN 52\u003cbr\u003e Regret 53\u003cbr\u003e Same 54\u003cbr\u003e Past 55\u003cbr\u003e Test score: 56\u003cbr\u003e Destiny number 57\u003cbr\u003e A few bad words 59\u003cbr\u003e NEET self-proclaimed 67\u003cbr\u003e Embrace 71\u003cbr\u003e Uterus of Heaven and Earth 72\u003cbr\u003e The glory of leaving 73\u003cbr\u003e Each Moon 74\u003cbr\u003e Paradise 75\u003c\/p\u003e\n\u003cp\u003e Part 2: Delivery 81\u003cbr\u003e Talking about disappointment 86\u003cbr\u003e Now: Send ZYS 90\u003cbr\u003e Laugh 93\u003cbr\u003e Light Information 96\u003cbr\u003e Nian Beast in the Mirror 99\u003cbr\u003e The Taste of Vagina 102 \u003cbr\u003eWe Only Have One Hell 105\u003cbr\u003e Strange Egg 107\u003cbr\u003e Nonsense verse 110\u003cbr\u003e Instant Noodles Fu 112\u003cbr\u003e Thing 114\u003cbr\u003e Only the first sentence is realistic.\u003cbr\u003e Why do birds sing in the morning?\u003cbr\u003e Love Relationship 123\u003cbr\u003e Loneliness Between 124\u003cbr\u003e Unrelated: The connection between cloth and the fullness of emptiness 125\u003cbr\u003e Childhood Piano Lesson 128\u003c\/p\u003e\n\u003cp\u003e Part Three: Eulogy Eulogy 133\u003cbr\u003e Horse, Dream and Tiger 137\u003cbr\u003e First: Send LGX 141\u003cbr\u003e Heaven moves forward, He Naijian 145\u003cbr\u003e Lights: Learning of ZW's death in Malacca 147\u003cbr\u003e Spring and Autumn Blood Ink: Letter to YM 148\u003cbr\u003e Wildcat's Death 151\u003cbr\u003e Still Sadness: Letter to YPA 154\u003cbr\u003e Laughing and Tearful: Send WMD 156\u003cbr\u003e Roadside melon: Sending my second aunt 157\u003cbr\u003e To collect and hang up the line: send LFS 158\u003cbr\u003e Childhood Weekends: Sending to Uncle HSH 161\u003cbr\u003e Hainanese people like me who don't speak Hainanese and don't live on Hainan Island 162\u003cbr\u003e A post-Nanyang guy wrote about his feelings on June 4th 165\u003cbr\u003e Qingming Festival 171\u003cbr\u003e Traces: Dreamwork 172\u003cbr\u003e Ding Fengbo: Send MTX 173\u003cbr\u003e Searching for the Dawn Thousands of Miles Away 174\u003cbr\u003e No doubt: Send to my father 178\u003cbr\u003e Same year: Sent to father 179\u003cbr\u003e Finally: Send to Mother 183\u003cbr\u003e Spring Outing: Reunion with Brothers and Sisters 189\u003c\/p\u003e\n\u003cp\u003e Volume 4: Nocturne Cradle 195\u003cbr\u003e Nocturne 196\u003cbr\u003e Lament 197\u003cbr\u003e Umbrella 198\u003cbr\u003e String 199\u003cbr\u003e Widow 201\u003cbr\u003e Ghost 202\u003cbr\u003e Sky Lantern 204\u003cbr\u003e Fireworks 205\u003cbr\u003e Hymn 209\u003c\/p\u003e\n\u003cp\u003e Postscript: No Postscript 210\u003c\/p\u003e\n\u003cp\u003e Additional song: Landscape 211\u003c\/p\u003e  \u003cp\u003eAppendix: Date of first draft of work 212\u003c\/p\u003e\n\u003cp\u003e Appendix: List of other poems set to music 217\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504963915992,"sku":"M00814","price":38.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/Picture1_c00cfd9e-7ca5-4362-8fab-e877728211d7.jpg?v=1751093998"},{"product_id":"如光如影ii-龚万辉插画集","title":"Like Light and Shadow II: Illustrations by Gong Wanhui","description":"\u003ch3\u003e ——Content Introduction\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/strong\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eGong Wanhui is a painter and a writer.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e Printed in full color, this book includes ninety-six illustrations created between 2017 and 2024, as well as fifty-four previously unpublished short essays and poems. For many years, Gong Wanhui has illustrated literary supplements and book covers both domestically and internationally. These illustrations have accompanied the writings of many renowned authors, and the writings have accompanied lonely and fragmented times.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e Placing the text alongside these paintings in chronological order is like the black and white keys of a piano, creating a sense of independence yet interconnectedness, like light and shadow.\u003cbr\u003e  \u003c\/div\u003e\n\u003cdiv\u003eGong Wanhui said: \"Perhaps the theme of my work has always been time. Every hand-drawn painting is a unique copy. So, when they are all printed and turned into a book, it seems to be a silent and conscious resistance to the transience of daily life.\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e ——About the Author\u003c\/h3\u003e\n\u003cp\u003e Gong Wanhui\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cdiv\u003e Born in Batu Pahat, Johor, Malaysia, he studied at the Kuala Lumpur Academy of Fine Arts and the Department of Fine Arts at National Taiwan Normal University. He currently paints and writes, and his illustrations are often seen in newspaper supplements and book covers both domestically and internationally. He has held five solo exhibitions and participated in numerous international watercolor exhibitions. He has also received numerous literary awards, including the United Daily News Literary Award, the Huazong Literary Award, the Seagull Literary Award, and the Outstanding Young Writer Award of Malaysia. His illustration portfolio includes \"Like Light, Like Shadow\" and \"Lighter Than Loneliness.\" He has also published the novel \"Artificial Girl,\" the short story collections \"The Age of Oviposition\" and \"The Room Next Door,\" and the essay collection \"Morning School Bus.\"\u003c\/div\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e ——Self-introduction⊙Gong Wanhui\u003cbr\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Imagine a book\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e  \u003cdiv\u003eWhen I'm painting, my cat always comes to watch with curiosity. The brush glides across the paper, perhaps mistaking it for a cat toy and thinking it's playtime again. The cat stares at the tip of the brush, waiting for an opportunity to grab it. Take it off the table, and then climb back up again when you're not looking. The cat insists on watching me paint. Perhaps some of the paintings in this collection have been tampered with by the cat.\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e The curiosity of a cat. Magritte once painted a gray cat sitting in a floating top hat, as if piloting a spaceship. The cover of this book, with the man in a suit and a top hat, is a tribute to this surrealist painter. I like Magritte, just as I like the objects in his paintings that defy gravity and float. I have always felt that these surrealist paintings are actually very close to literature, like the language of poetry, or the various imagery of poetry. Like good literary works, good paintings should also have something that cannot be expressed in words, but can still involve you and make you feel something.\u003cbr\u003e\u003cbr\u003e Quietly waiting to be stared at and discovered.\u003cbr\u003e\n\u003c\/div\u003e  \u003cdiv\u003eIt's said that someone has finally realized that the images and texts originally uploaded to the internet are actually disappearing silently. Perhaps because a website or forum has long since been shut down without a care in the world, or because of various censorships, strange and unknown reasons, like a spark that has been extinguished, it can no longer be retrieved.\u003cbr\u003e\u003cbr\u003e We are all sojourners, and the promised land we imagined back then has never truly materialized. Perhaps we have all mistakenly believed that the memories stored online or on social media will last forever. But in reality, those digital images and words, at moments unknown to us, in ways and at speeds we never noticed, gradually fade and disappear.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e  \u003cdiv\u003ePerhaps the things that combat disappearance and nothingness are tactile objects—things you can touch, touch, and hold in your palms; or perhaps the feelings and memories that linger in your heart. For example, petting a cat or looking at old paintings in an exhibition hall. If you get close enough, you can see colors washed away by time, cracks in the paint, and the layers of brushstrokes that can't be reproduced on a screen—you can imagine the painting process of a painter a century ago.\u003cbr\u003e\n\u003c\/div\u003e  \u003cdiv\u003eSometimes I wonder if a painting, sculpture, or book, carefully preserved by humans, could possibly survive longer than if it were posted online. And every hand-drawn painting is a unique copy. Even I, for one, could never fully recreate a single work I've ever created. Could artificial intelligence now imitate Magritte's style? I think it's possible, but there are certainly areas beyond the reach of Prompt, areas even AI would struggle to understand, like poetry, and all sorts of fantastical ideas that have no parallel in any database—the meaning of creation, that magic that humans have yet to truly replace.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e Perhaps for this reason, I imagined these paintings and texts becoming a book that can be held in the hands, turned over, and hugged; it can be discarded and cherished.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e I'm a painter and a writer. In this book, the paintings have accompanied texts created by different people, and the texts have accompanied fragmented moments. There was a time when I wrote something for myself on my birthday; there was also a time when I was constantly thinking about my recently deceased mother.\u003cbr\u003e\n\u003c\/div\u003e  \u003cdiv\u003ePerhaps the theme has always been time. If we catch the words that have been scattered all over the internet for many years and put them together with these paintings in chronological order, perhaps they will\u003c\/div\u003e\n\u003cdiv\u003e At some point, they intersect. For me, images and text are like the black and white keys of a piano, possessing a sense of independence yet interconnectedness, like light and shadow. So, when they are both printed and transformed into a book, it seems to be a silent yet conscious resistance to the transience of everyday life.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e By the way, Magritte also painted a picture about books, called \"The Submissive Reader.\" It lacks the surrealistic imagery the artist was so famous for, simply depicting a person holding a book. That person's expression, a complex blend of surprise and astonishment (a rare and exaggerated expression in Magritte's works), stirs curiosity and leaves endless room for imagination. What exactly is he seeing?\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e It's like the painter left a riddle and you can fill in the blanks with any answer.\u003cbr\u003e\n\u003c\/div\u003e  \u003cdiv\u003eI hope this book also happens to have a place like this, where your disobedient imagination can be properly placed.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504964014296,"sku":"M00676","price":48.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/II_42b6a0b9-6fa5-45f7-a1bf-afb20da170d8.jpg?v=1751093996"},{"product_id":"威北华文艺创作集","title":"Collection of Chinese Literary Works in Northern Wei","description":"\u003cp\u003e Publication Date: 20160701\u003cbr\u003e Author: Wei Beihua Pages: 480\u003cbr\u003e Size: Length 21cm × Width 14.6cm\u003cbr\u003e ISBN：9789670744223\u003cbr\u003e Publisher: Someone\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003cbr\u003e This collection of literary works is a compilation of all the literary works of Malaysian Chinese writer Wei Beihua in the 1950s. It includes all the works of the novel collection \"Meteor\", the essay collection \"Spring Ploughing\" and the collection of three genres \"Walking Before Dawn\", as well as several scattered chapters, restoring the complete literary picture of this predecessor for today's reading world.\u003cbr\u003e Despite his talent, diligence, and considerable achievements, Wei Beihua has been almost completely forgotten by the literary and artistic circles of Singapore and Malaysia in the more than 50 years since his death. However, his works at the time, including essays, poems, and novels, rode the crest of the modernist movement, making him a true pioneer of the new generation of modernists.  \u003cbr\u003eThe purpose of compiling and publishing this complete collection is to restore the complete literary picture of this writer. For the older generation of literary people, this may have the nostalgic meaning of retracing the literary steps of their youth. For many young and middle-aged literary people who are relatively unfamiliar with Wei Beihua, this book may have the meaning of literary archaeology.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e He also used the pseudonyms Lu Baiye, Hua Xiding, Lou Wenmu, Yue Zigeng, Fan Tao, and Yao Yuan. He was born in Ipoh in 1923 and died of illness in Singapore in 1961. During the Japanese occupation, he wandered and fled around Medan, Sumatra. After the liberation, he participated in the Indonesian War of Independence and returned to Singapore to settle down in 1948.\u003c\/p\u003e  \u003cp\u003eEditor's Note: This book's editor, Zhang Jingyun, was born in 1940 in Danlao, Lower Burma. He grew up in Penang after the war and dropped out of school at the age of sixteen. Before retiring in 2007, he worked in journalism for a long time, serving as chief editor of three major newspapers. He described himself as someone who worked purely for a living, having no illusions about the objective state of the local newspaper industry at the time. However, in 2011, he unexpectedly received the Taiwan Master Hsing Yun (Malaysia) Journalism and Communication Award. He is the author of four books: \"Yanquan Ji\" (Zhang Chenyin, poetry collection, 1977), \"Jiansu Xiaopin\" (essays, 2001), \"Clouds Without Heart, Water Flows East\" (thought essays, 2001), and \"Dog Ear Zero Notes\" (essays, 2014).\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504964047064,"sku":"M00111","price":60.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/AwDlgQ_5328f209-eb07-4667-87d3-1f3a573c9236.jpg?v=1751093995"},{"product_id":"寻虎","title":"Tiger Hunt","description":"\u003cp\u003e Publication Date: 2023\/10\u003cbr\u003e Author: Zhang Yongxiu Pages: 296\u003cbr\u003e ISBN：9789670744872\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e\n\u003cp\u003e Zhang Yongxiu: The subject matter of my writing comes from real life; but what appears in the text is a distortion of life.\u003c\/p\u003e\n\u003cp\u003e The book \"Looking for Tigers\" is divided into two volumes. Volume one contains seventeen extreme pieces\/very short stories, and volume two contains twelve short stories.\u003c\/p\u003e\n\u003cp\u003e Recommended by Huang Jinshu, Wang Xuequan and Lin Jianguo with special prefaces.\u003c\/p\u003e  \u003cp\u003e\"Yongxiu's most extreme portrayal of strangeness and eccentricity to date is, of course, 'Mulan and Suxi.' It seems to touch upon all the \"sensitive issues\" in Malaysia: gender (homosexuality, transgender people), race (Malays, Chinese), religion (Muslims who are extremely anti-homosexual), and cross-dressing.\"\u003cbr\u003e Huang Jinshu, \"Simplicity and Strangeness: Preface to Zhang Yongxiu's Collection of Novels: Searching for the Tiger\"\u003c\/p\u003e\n\u003cp\u003e \"Yongxiu's 'Limits' is plain, yet interestingly, it also offers readers an emotional conclusion. For scholars of emotion theory, writing stories with elliptical figurations while capturing fleeting emotions is the most engaging form of writing.\"\u003cbr\u003e ——Wang Xuequan, \"Turning Point in the Avant-garde: Zhang Yongxiu's Unconventional Writing Style\"\u003c\/p\u003e\n\u003cp\u003e \"Although Zhang Yongxiu's novels vary in subject matter, slowly piecing together clues, we can all discern the clear face of the nation. Facing the crushing pressure of national mythology, Zhang Yongxiu uses his novels to show us how to find a path to survival through the sifting of narrative—how to achieve ethical reckoning through aesthetics.\"\u003cbr\u003e ──Lin Jianguo, \"Once Upon a Time There Was a Three-Way Crossroads\"\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e  \u003cp\u003eZhang Yongxiu, also known by the pen names Yiqing, Ke Yun, Ying Haishen, and Zhang Xing, is a native of Malacca, with his ancestral home in Dapu, Guangdong.\u003c\/p\u003e\n\u003cp\u003e He was the editor-in-chief of the \"Xingyun\" edition of Sin Chew Daily, the \"Nanyang Literature and Art\" and \"Shangyu\" editions of Nanyang Siang Pau, the literary magazine \"Monsoon Belt\", and Fenglin Wencong.\u003c\/p\u003e\n\u003cp\u003e He is the author of \"Lost\" (essay collection, 1987), \"Writing Poems for the Modern Times\" (poetry collection, 1994), \"Searching for Tigers\" (novel collection, 2023); and the editor-in-chief of \"The Growing Generation of Six\" (1986), \"Spicy Malaysian Chinese Literature - A Selection of Controversial Topics in Malaysian Chinese Literature in the 1990s\" (2002), and \"My Literary Path\" (2005).\u003c\/p\u003e\n\u003cp\u003e He has won the Malaysian Editors Association's Wong Kee Tat News Award for Supplement Editor eight times (in 1995, 1996, 1997, 1998, 2000, 2002, 2009, and 2012). In 1981, he won first place in the open poetry category of the National Youth Literary Creation Competition. In 2001, five of his poems won the \"Top 100 Lyrics and Compositions\" award from Taiwan's \"iwant-music.com\" website.\u003c\/p\u003e\n\u003cp\u003e ▍Table of Contents:\u003c\/p\u003e\n\u003cp\u003e Simplicity and Strangeness: Preface to Zhang Yongxiu's Fiction Collection \"Searching for Tigers\" ◎ Preface 1 \/ Huang Jinshu 6\u003c\/p\u003e  \u003cp\u003eA Turning Point in the Avant-Garde: Zhang Yongxiu's Unconventional Writing Style◎Preface 2\/Wang Xuequan11\u003c\/p\u003e\n\u003cp\u003e Once upon a time there was a fork in the road ◎ Preface 3 \/ Lin Jianguo 19\u003c\/p\u003e\n\u003cp\u003e Volume 1: Extreme Edition\/Extreme Short Stories Ants Strikes Back 38\u003cbr\u003e Sacred Tree 42\u003cbr\u003e The Regret of Liang Zhu 44\u003cbr\u003e Sleeping Prince 47\u003cbr\u003e Shaolin Soccer 48\u003cbr\u003e Wedding gift 50\u003cbr\u003e Address 51\u003cbr\u003e Cool and Hot 53\u003cbr\u003e When will you come? 55\u003cbr\u003e Princess Letter 56\u003cbr\u003e Three unsigned letters58\u003cbr\u003e The distance from the ear to the heart is 60\u003cbr\u003e Lecture Tour 62\u003cbr\u003e Gift 64\u003cbr\u003e Writer's Dream 65\u003cbr\u003e Article Truth 67\u003cbr\u003e Snake 68\u003cbr\u003e\u003cbr\u003e Volume 2: Short Stories: The Mist Behind 72\u003cbr\u003e My Father and Mother 88\u003cbr\u003e The Principal's Godson 104\u003cbr\u003e Tiger Hunt 119\u003cbr\u003e Mulan and Su Xi 145\u003cbr\u003e Those Days in the Newspaper Office 175\u003cbr\u003e Looking for Sangtiantian 190\u003cbr\u003e 207 The Writers I Know\u003cbr\u003e White Plum Vision 223\u003cbr\u003e Dunki's City 239\u003cbr\u003e Agarwood Past 260\u003cbr\u003e Once upon a time there was a very long road 271\u003cbr\u003e The portrayal and variation of human desires My editing days ◎ Postscript by Zhang Yongxiu 285\u003cbr\u003e ——Ke Yun's Micro-Fiction ◎ Appendix \/ Zhang Guangda 291\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504964800728,"sku":"M00531","price":43.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/MsEyun_095e9b6e-0599-4472-9199-4f48f9a0cd0a.jpg?v=1751093984"},{"product_id":"小三","title":"mistress","description":"\u003cp\u003e Xiao San series name: famous\u003cbr\u003e ISBN13:9789670744476\u003cbr\u003e Publisher: Youren Publishing (Malaysia) Author: Huang Longkun Binding\/Pages: Paperback\/120 pages\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction: \u003cbr\u003eHuang Longkun's first poetry collection. The book is divided into three parts, all of which explore the poet's exploration of the body, love, and life.\u003cbr\u003e Volume 1 [Life] - \"Writing poetry is like picking your nose \/ The deeper you dig \/ The more you hurt yourself.\"\u003cbr\u003e Volume 2 [Mistress] - \"In front of you \/ I just want to be a slave with nothing \/ imprisoned in your eyes.\"\u003cbr\u003e Volume 3 [Confession] - \"The poems I wrote are longer than your dick.\"\u003c\/p\u003e\n\u003cp\u003e \/ Back cover poem: I'm embarrassed to reveal the true nature of the world. Passing through narrow passages with a bit of shit in my mouth, there are always some believers who have lost their way. (I don't mean to force you to come back)\u003cbr\u003e The ship is still sailing, dear, in the end, the rectum is still open, I hope there is a door that can tell you about your departure\u003c\/p\u003e\n\u003cp\u003e Time returns to time once again, the ashes return to the bonfire, the salt returns to the sea, your tears\u003c\/p\u003e\n\u003cp\u003e Remember to keep it and pass it on to the next person in need\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e Huang Longkun is from the ninth generation. He has won a few literary awards, occasionally writes poetry, and most importantly, he lives a normal life for now. He doesn't know what the future holds.\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504964833496,"sku":"M00108","price":30.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/bOAS6U_5a67467f-f516-480f-95ad-3da9d72ed7d6.jpg?v=1751093984"},{"product_id":"居銮老街的社区建构与发展作用","title":"The role of Kluang Old Street in community construction and development","description":"\u003cp\u003e Publication Date: April 2024 Pages: 237\u003cbr\u003e Number of openings: Length 24 × Width 17\u003cbr\u003e ISBN：9789833527908\u003cbr\u003e Publisher: New Era University College, Mengkibol State Assemblyman's Office\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction: \u003cbr\u003eAs the first academic research result on Kluang Old Street, this book may help us to have a more comprehensive understanding of the history and culture of Kluang Old Street from different perspectives such as community and architecture, economy and education, politics and figures, and become a great help in promoting Kluang as a local brand.\u003c\/p\u003e\n\u003cp\u003e ▍Editor-in-Chief Introduction:\u003cbr\u003e Liao Wenhui\u003c\/p\u003e\n\u003cp\u003e He holds a Master's degree in History from National Taiwan University, a Master's degree in Chinese Studies from the University of Malaya, and a PhD in History from Xiamen University, China. He is currently an Associate Professor in the Department of Chinese Studies and Southeast Asian Studies at New Era University College, Malaysia, Director of the Malaysian Historical Research Center, and an Adjunct Research Fellow at the Overseas Chinese Literature and Data Research Center at Huaqiao University. His research focuses on Southeast Asian history and overseas Chinese. He is the author of The Development and Evolution of Historiographical Studies in Malaysia and Singapore (1800-1969) (2022), Malaysia: A Tropical Nation of Diversity and Coexistence (2019), A Critical Biography of Xu Yunqiao (2014), 80 Years of Historiography in Malaysia and Singapore: From Nanyang Studies to Chinese Studies (1930-2009) (2011), and The Chinese School Teachers' Association and Its Figures (1951-2005) (2006). He has also published nearly 100 papers both domestically and internationally.\u003c\/p\u003e","brand":"新纪元大学学院、明吉摩州议员办公室","offers":[{"title":"Default Title","offer_id":50504964931800,"sku":"M00611","price":50.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/gtNckFUR661f925ef36fe_1713345119.webp?v=1751093982"},{"product_id":"录鬼簿-增订版","title":"Record of Ghosts (Revised Edition)","description":"\u003ch2\u003e \u003cstrong\u003e▍Content Introduction:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e The purpose of this book is to collect and record real events. In other words, it's not a collection of fiction, but more like a collection of interviews, with many of the events coming from firsthand sources. If the interviewees aren't mentally disturbed or experiencing hallucinations or self-scare, then most of the ghost encounters recorded in this book are true.\u003c\/p\u003e  \u003cp\u003eTherefore, this book is called \"Ghost Notes.\" I suggest you don't treat it as a typical ghost story. While typical ghost stories are fictional and often quite strong, this collection isn't scary. Author Wang Xiujie didn't embellish the source material, so you'll experience the most authentic ghost encounters.\u003c\/p\u003e\n\u003cp\u003e These ghosts are real.\u003c\/p\u003e\n\u003cp\u003e *The back cover photo is from \"The Incredible Ball of Light\" in the book (see page 194). The photo has not been altered. Like some incredible things, it actually exists so naturally and truly in the space where you and I live together.\u003c\/p\u003e\n\u003ch2\u003e \u003cstrong\u003e▍Author:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003cstrong\u003eWang Xiujie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e Lecturer and musician. He has published 20 novels and won several literary awards. He collaborated with poet Zhou Ruotao on the poetry and music album \"Mysterious Songs.\" His music has been shown both domestically and internationally.\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504965226712,"sku":"M00834","price":36.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/Picture1_297449cf-e943-4b97-b1e1-622000946ac0.jpg?v=1751093976"},{"product_id":"我们在房里看a片","title":"We watched porn in the room","description":"\u003cp\u003e Publication Date: 2023\/10 \u003cbr\u003eArtist: Hu Jiuzhou Size: 5.75 inches x 8.25 inches\u003cbr\u003e ISBN：9789670744889\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e\n\u003cp\u003e Hu Jiuzhou, born in 1997, is a native of Johor Bahru. He graduated from Kuan-Fu High School in Johor Bahru and Universiti Tunku Abdul Rahman in Kampar, and is currently a graduate student in the Chinese Language and Literature Department at National Taiwan University.\u003c\/p\u003e\n\u003cp\u003e He has won several literary awards at home and abroad, and has worked at the Malaysian Chinese Literature Museum. He has served as a lecturer, literary camp instructor, and sharing guest in Taiwan, Malaysia and other places.\u003c\/p\u003e\n\u003cp\u003e He is currently serving as an editor for \"Jiaofeng\" magazine, a text editor for Facebook's \"Read a Poem for You Every Day\", and a teaching assistant for courses such as Taiwanese Modern Poetry.\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e\n\u003cp\u003e The poetry collection of young poet Hu Jiuzhou contains a total of 42 poems, divided into 6 volumes, including \"Imaginary Autobiography\", \"Yesterday's Travel in a Foreign Land\", \"God Doesn't Make Love with Me\", \"Literary Life Notes\", \"Pink Love Poems\" and \"Passing by on a Sunny Day\".\u003c\/p\u003e\n\u003cp\u003e The topics include quasi-autobiographical narratives, travel experiences, erotic writings, love poems, political poems and other genres.\u003c\/p\u003e\n\u003cp\u003e Divide a complete sentence into three parts, for example.  \u003cbr\u003e——〈SOP to make you a hipster, a fake hipster, a fake hipster so fake that even your mom wouldn’t recognize you〉\u003c\/p\u003e\n\u003cp\u003e \"Only those with anger are true poets. But I think that powerful thorns can be hidden between flowers and leaves, or even thornless, making people feel the thorns in the midst of doing nothing. I also think that Jiuzhou has now realized this truth.\" - Recommended by poet and scholar Tang Juan\u003c\/p\u003e\n\u003cp\u003e \"It is clear that the distance between poetry and reality in time and space was once as close to Jiuzhou as the distance between Johor Bahru and Singapore, although his tone was often ironic and self-deprecating. However, as he continued to write, he gradually became unconvinced by the saying that 'the pen is stronger than the sword', and so he chose to stray a little from reality and move closer to the lyrical world of poetry.\" - Recommended by poet and scholar Zhang Jinzhong\u003c\/p\u003e\n\u003cp\u003e Creation, literature and calligraphy are the hobbies that have lasted the longest.\u003c\/p\u003e\n\u003cp\u003e His works have won the Huazong Literature Award, the Seagull Literature Award, the Xingyun Literature Award, the Youchuan Literature Award, the Liang Shiqiu Literature Award, the Taipei Literature Award, the United Daily News Literature Award, the China Times Literature Award, etc.\u003c\/p\u003e  \u003cp\u003eHe has written \"Look Here, Pighead\", \"Baby Pighead, Please\", \"Mountain God and Water Charm\", \"It's Hard to Write about Bodhisattva\", \"From Dahlia to Orchid\", \"Pighead's Itchy Scalp\", \"Pighead's Negative Second Generation\", and \"Daughter Fish\".\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504965390552,"sku":"M00539","price":30.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/WVLYz1_40af7dfd-287d-40c9-856e-fbd12524dde2.jpg?v=1751093973"},{"product_id":"我们留台那些年","title":"The years we stayed in Taiwan","description":"\u003cp\u003e Publication Date: July 2014 Pages: 300\u003cbr\u003e Number of openings: Length 21.5 × Width 16.5\u003cbr\u003e ISBN：9789832812944\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003cbr\u003e This is a collective memory project, which includes articles by 39 Malaysian students studying in Taiwan. Starting from Bai Yao, who was the first to study in Taiwan in 1953, generation after generation of Malaysian students have written their own stories about literary enlightenment and the shaping of their spiritual outlook.\u003c\/p\u003e\n\u003cp\u003e For over sixty years, Taiwan has become a second home, even a place of permanent residence for many Taiwanese who have studied there. Whether they left (or returned) or stayed (or left their home country), the stories of these students are so complex and diverse that they can form a history of both ours and the other.\u003c\/p\u003e\n\u003cp\u003e Malaysian Chinese literature cannot be without the \"Taiwanese\" chapter. How can Malaysian history not include the \"Taiwanese\" chapter?\u003c\/p\u003e\n\u003cp\u003e This is for the record.\u003c\/p\u003e\n\u003cp\u003e Editor’s Note: \u003cbr\u003eZhang Jinzhong: The slow ship \"MH Dama\" bound for Taiwan continues its journey northward to the literary Taiwan after sixty years. This isolated force of diaspora Chinese-language literature clearly has successors.\u003c\/p\u003e\n\u003cp\u003e Huang Jinshu: Taiwan’s unique historical circumstances are inevitably embedded in the memories of those who study in Taiwan, and even serve as a catalyst for them to reflect on their own historical situation and nourish their writing.\u003c\/p\u003e\n\u003cp\u003e Li Zongshun: We want to record the footprints of those who stayed in Taiwan, look back and write about the past, use words to return to the purest years of the past, and meet ourselves who are still looking towards the future.\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504965456088,"sku":"M00612","price":35.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/1_1800x1800_82f2e331-2fdd-4dec-a5df-7d57617cc78e.png?v=1751093972"},{"product_id":"我吞下一颗发烫的黑曜石","title":"I swallowed a hot obsidian","description":"\u003cp\u003e Publication Date: 2023\/10\u003cbr\u003e Artist: Liang Xinyuan Size: 5.75 inches x 8.25 inches\u003cbr\u003e ISBN：9789670744896\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e\n\u003cp\u003e Liang Xinyuan, born in 1999, has won the Huazong New Talent Literary Award, the Hong Kong Youth Literature Award, the Taiwan X19 Global Chinese Poetry Award, and the Youchuan Short Poetry Award. She is the editor of Koukou, a Malaysian Chinese audio poetry magazine, and was formerly the editor of Malaysian Chinese Literature. Her works have appeared in newspapers and magazines both domestically and internationally.\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e  \u003cp\u003eThis collection of poems by the young poet Liang Xinyuan, compiled between 2019 and 2022, is divided into five sections: \"The Wind Teases Me Meaninglessly,\" \"I Swallowed a Hot Obsidian,\" \"Going Further Will Drown,\" \"Some Bright Reasons,\" and \"Useless Stone.\" Through self-written reflections on life, Liang attempts to find answers to the state of life and death through explorations of the ecological body and emotional desires.\u003c\/p\u003e\n\u003cp\u003e They are naturally beautiful and I am just a fake\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\"I Swallowed a Hot Obsidian\" is a long, silent murmur. Its almost harmonious voice echoes endlessly like a cold spring, rising and falling here and there, repeatedly challenging the reader's patience. Xin Yuan dedicates her lyricism to the everyday, the dim light, and the subtle objects, whether it's her own city, the fields, the ruins, an island covered in mercury, or even the vast, uninhabited land. She brazenly summons all things beyond her own locale, arrogantly attempting to locate the visible and invisible in the universe within every corner of the poetic nouns, ultimately forming a paradoxical chorus of lyricism—the aesthetic of \"indifference\/delusion,\" where lyricism is everywhere. Yet, two become one, one is also two, and two is still one—and what she reflects upon is not the obsidian she has long swallowed, but the hot \"me\" swallowed by the obsidian.\u003c\/p\u003e\n\u003cp\u003e ──Recommended by Malaysian Chinese poet Zheng Tianjing\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504965488856,"sku":"M00537","price":32.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/XzLH3m_60eeb411-21f3-4e56-8e0e-e4a776be0257.jpg?v=1751093971"},{"product_id":"我是佛","title":"I am Buddha","description":"\u003cp\u003e Publication Date: 20170601\u003cbr\u003e Author: Fang Lu Pages: 300\u003cbr\u003e Size: Length 21cm x Width 14cm \u003cbr\u003eISBN：9789670744414\u003cbr\u003e Publisher: Someone\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e\n\u003cp\u003e Fang Lu's first collection of nanofiction uses a thematic classification method, collecting 210 works in six volumes. It is organized into six different categories: stories, sketches, fables, strange stories, dialogues, forms, structures, experiments, and poetry, forming a set of threads. Each volume contains 35 works, which can be summarized as follows:\u003c\/p\u003e\n\u003cp\u003e Volume 1, realistic novels, realistic stories, sketches and life stories.\u003cbr\u003e Volume 2, contains novels, animals, fables and interesting stories.\u003cbr\u003e Volume Three continues the novel with coherent, interconnected and experimental stories.\u003cbr\u003e Volume 4, simple novels, dialogues, ultra-short and formal stories.\u003cbr\u003e Volume 5, strange novels, strange stories, Zhongyuan and horror stories.\u003cbr\u003e Volume 6, Italian novels, poetry, dialogues and physical stories.\u003c\/p\u003e\n\u003cp\u003e About the Author\u003c\/p\u003e\n\u003cp\u003e Originally named Li Chengyou and Li Chengyou, nicknamed Dashui, he was born in 1964 in Bukit Mertajam.\u003c\/p\u003e\n\u003cp\u003e Born in Chao'an, Guangdong, he graduated from Bukit Mertajam Ngee Sin Independent High School and Pingtung Institute of Technology in Taiwan.\u003c\/p\u003e\n\u003cp\u003e He has written the poetry collection \"Fish\" (1999), the poetry collection \"Sad Metaphor\" (2004), the prose collection \"One-Way Street\" (2005), the short story collection \"Elegy\" (2006), and the poetry collection \"Telephone Booth\".\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504965685464,"sku":"M00083","price":38.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/fomE9B_0ae59f19-088d-48d0-b3dc-189270915bc7.jpg?v=1751093969"},{"product_id":"我等的只是无趣","title":"I'm just waiting for boredom","description":"\u003ch3\u003e ——Content Introduction\u003c\/h3\u003e  \u003cdiv\u003e\n\u003cstrong\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/strong\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eYang Chuan's poetry collection is divided into two volumes. Volume one is \"Poems Written in Mainland China\", which contains 26 poems and is a record of the poet's life in China.\u003c\/div\u003e\n\u003cdiv\u003e The second volume, \"Poems Written in Johor Bahru\", contains 33 poems, which are a sampling of the poet's emotions in Johor Bahru.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e Yang Chuan's self-description:\u003c\/div\u003e\n\u003cdiv\u003e Writing poetry is a lifelong thing for me. Now I think that even though my life is dull, because of words and poetry, I have found history in real life.\u003c\/div\u003e\n\u003cdiv\u003e history.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e Famous Malaysian Chinese writer Chen Die wrote a preface recommending:\u003c\/div\u003e\n\u003cdiv\u003e From the 1980s till now, writing poetry has become Yang Chuan's life sustenance, or even his life sustenance. Taiwanese literary critic Yang Zhao once said that poetry is a requiem, at least in my opinion.\u003c\/div\u003e\n\u003cdiv\u003e It seems that poetry is the music that brings peace to Yang Chuan's soul.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e Forty years of swimming in the sea of ​​poetry and writing, half a lifetime of migrating from city to city, Yang Chuan went from China to overseas, and after returning, he left again. Now his footsteps are still in the south. He no longer\u003c\/div\u003e\n\u003cdiv\u003e I write novels, but never essays. However, my poems, which have much fewer words than novels and essays, seem to have changed from the affectionate and unrestrained writing in the past to the restrained and cold style now.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e——About the Author\u003c\/h3\u003e\n\u003cp\u003e Yang Chuan\u003c\/p\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e His real name is Yang Qiping. He grew up in Malacca and later settled in Johor Bahru.\u003c\/div\u003e\n\u003cdiv\u003e Bachelor of Science from the University of Central Oklahoma, USA, Master of Chinese from the University of Malaya, and PhD in Modern and Contemporary Literature from Nanjing Normal University.\u003c\/div\u003e\n\u003cdiv\u003e He used to be a senior lecturer and director of the Chinese Department at the Johor Bahru Teachers’ Education College.\u003c\/div\u003e\n\u003cdiv\u003e Part-time lecturer at Open University of Malaysia and University of Kuala Lumpur.\u003c\/div\u003e\n\u003cdiv\u003e She has written a collection of essays, \"On Contemporary Mainland and Malaysian Chinese Women's Novels\", a collection of novels, \"The Call of the Red Dust\", and a collection of poems, \"Unfinished Journey\" and \"Searching for Trees\".\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e --Table of contents\u003cbr\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e After the thunderous silence, the poems have grown old after the mountains and rivers, but is the chivalrous spirit still there?\u003c\/div\u003e\n\u003cdiv\u003e ——Chen Die's preface to Yang Chuan's poetry collection \"What I Wait For Is Just Boredom\" 5\u003c\/div\u003e\n\u003cdiv\u003e Volume 1: Writing Poetry in Mainland China\u003c\/div\u003e\n\u003cdiv\u003e No. 19, No. 200, Ninghai Road\u003c\/div\u003e\n\u003cdiv\u003e Nanjing Life: Give You 22\u003c\/div\u003e\n\u003cdiv\u003e How hot it was that time 24\u003c\/div\u003e\n\u003cdiv\u003e Ruthless Solution 26\u003c\/div\u003e\n\u003cdiv\u003e A Winter Night 28\u003c\/div\u003e\n\u003cdiv\u003e People, People (Impressions of Mainland China) 30\u003c\/div\u003e\n\u003cdiv\u003e I fell asleep to the sound of Su Tong's reading\u003c\/div\u003e\n\u003cdiv\u003e I wrote poems in mainland China 34\u003c\/div\u003e\n\u003cdiv\u003e Desire. Seasons 37\u003c\/div\u003e\n\u003cdiv\u003e Gatekeeper 41\u003c\/div\u003e\n\u003cdiv\u003e November 2005, went to Xi'an 42\u003c\/div\u003e\n\u003cdiv\u003e Beijing Box 45\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e Furniture about time and memory 48\u003c\/div\u003e\n\u003cdiv\u003e Room 303, male 52\u003c\/div\u003e\n\u003cdiv\u003e Wandering outside the door 54\u003c\/div\u003e\n\u003cdiv\u003e Farewell to Dinglou 56\u003c\/div\u003e  \u003cdiv\u003eLife in the Mainland 58\u003c\/div\u003e\n\u003cdiv\u003e So, I returned to Malaysia 62\u003c\/div\u003e\n\u003cdiv\u003e Volume 2: Writing Poetry in Johor Bahru\u003c\/div\u003e\n\u003cdiv\u003e Writing Poems in Johor Bahru 67\u003c\/div\u003e\n\u003cdiv\u003e Page 39, 70\u003c\/div\u003e\n\u003cdiv\u003e Light 72\u003c\/div\u003e\n\u003cdiv\u003e Fake Love Poems 74\u003c\/div\u003e\n\u003cdiv\u003e Where 75\u003c\/div\u003e\n\u003cdiv\u003e Two Improvisations 77\u003c\/div\u003e\n\u003cdiv\u003e Amnesia (for Dad) 79\u003c\/div\u003e\n\u003cdiv\u003e Yang Family Lai Family (To Mom) 81\u003c\/div\u003e\n\u003cdiv\u003e Disenchantment 84\u003c\/div\u003e\n\u003cdiv\u003e Childish 87\u003c\/div\u003e\n\u003cdiv\u003e Grassroots 88\u003c\/div\u003e\n\u003cdiv\u003e Let's talk, New Hill 93\u003c\/div\u003e\n\u003cdiv\u003e Dahe95\u003c\/div\u003e\n\u003cdiv\u003e Letter 96\u003c\/div\u003e\n\u003cdiv\u003e Flight 97\u003c\/div\u003e\n\u003cdiv\u003e It seems like a city is slowly falling.\u003c\/div\u003e\n\u003cdiv\u003e Hot Summer 103\u003c\/div\u003e\n\u003cdiv\u003e Corridor 105\u003c\/div\u003e\n\u003cdiv\u003e Recording a City 106\u003c\/div\u003e\n\u003cdiv\u003e Hell Transformation 108\u003c\/div\u003e\n\u003cdiv\u003e Spoken English 110\u003c\/div\u003e\n\u003cdiv\u003e Epitaph 111\u003c\/div\u003e\n\u003cdiv\u003e Image of the gallery 113\u003c\/div\u003e\n\u003cdiv\u003e Similar doubts about patriotism 115\u003c\/div\u003e\n\u003cdiv\u003e The jellyfish continued to swim past 119\u003c\/div\u003e\n\u003cdiv\u003e Postman 122\u003c\/div\u003e\n\u003cdiv\u003e Dogs on the streets of Istanbul125\u003c\/div\u003e\n\u003cdiv\u003e Proclamation 126\u003c\/div\u003e\n\u003cdiv\u003e Johor Bahru Drunk 128\u003c\/div\u003e\n\u003cdiv\u003e Living 132\u003c\/div\u003e\n\u003cdiv\u003e Epidemic 133\u003c\/div\u003e\n\u003cdiv\u003e Alternating 135\u003c\/div\u003e\n\u003cdiv\u003e I'm just waiting for boredom138\u003c\/div\u003e\n\u003cdiv\u003e Postscript 140\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e After a thunderous silence,\u003c\/div\u003e\n\u003cdiv\u003e After going through the green mountains, the poems also become old.\u003c\/div\u003e\n\u003cdiv\u003e Is the chivalrous spirit still there?\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e ——Chen Die's preface to Yang Chuan's poetry collection \"What I Wait For Is Only Boredom\"\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cbr\u003e  \u003cdiv\u003ePrefaces can be long or short. The Song Dynasty scholar Ouyang Xiu wrote a single, thirteen-character preface to his collection of poetry, \"Six One Poetry Talks,\" which reads, \"The hermit has retired to Ruyin and compiled these works for casual conversation.\" But there are no longest prefaces, only longer ones! In 1990, Yang Chuan published his first book, the short story collection \"Red Dust Calls.\" His second, \"Unfinished Journey,\" was a collection of poetry in 1999. In 2001, he published another collection of poetry, \"Searching for Trees.\" I wrote the prefaces for all of these books.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e In October 2023, he invited me to write the preface for his fourth book, his third collection of poetry. While this seemingly ordinary arrangement of years reveals the fleeting passage of time, a writer's thirty-three-year journey through life has left behind traces of his past, documenting his experiences, building his secret garden, and, most importantly, deeply embedded within it, his emotional core!\u003cbr\u003e\n\u003c\/div\u003e  \u003cdiv\u003eFrom 1982, when I first met him, until now, in 2024, Yang Chuan has transformed himself from a young man to a doctoral scholar through a series of transformations over the past 42 years. Besides the twelve short stories in his first volume, he has written over 200 poems over the course of his life, and there are likely more that haven't been collected yet. Compared to veteran Taiwanese poet Bai Hao, who wrote over 400 poems at the age of 22, this is certainly a small number. However, compared to Zhang Ruoxu of the Tang Dynasty, who wrote only two poems at the age of 82, yet his works have become legendary, Yang Chuan's output is still quite high.\u003cbr\u003e\n\u003c\/div\u003e  \u003cdiv\u003eOne day in the 1980s, Yang Chuan insisted that he would invite me to write a preface for every book he published. This promise was a bit like the lines from Li Bai's \"Xia Ke Xing\": \"Three cups of wine, a promise uttered; the Five Mountains seem light!\" Indeed, he resembled the knights in the poetry collection \"Unfinished Journey,\" those fleeting yet steadfast knights amidst the mists of rivers and lakes, the starlight and the water, the lingering fragrance of the past. Even after traversing mountains and exhausting youth, after seeing the world, he still remembered, looking back, the small yet weighty promise he once made to a woman. Was this promise he made to me, or was it the other way around, that I insisted on writing another preface for him?\u003cbr\u003e\n\u003c\/div\u003e  \u003cdiv\u003eAccording to numerous written sources and videos, the most surging period of modern Taiwanese poetry occurred between 1956 and 1965. I was born late in life, in 1971, when I was in high school. I encountered names like Zheng Chouyu, Zhou Mengdie, Yu Guangzhong, Ye Shan (who changed her name to Yang Mu in 1972), Ji Xian, Xian, Bai Hao, and Xiang Yang. My excitement was no less than that of reading the works of Li Ao, Jiang Yun, Zhang Xiaofeng, and Wang Shangyi. From the 1980s to the present, poetry has become Yang Chuan's life's sustenance, even his very being. Taiwanese literary critic Yang Zhao once said that poetry is a requiem. At least, in my opinion, poetry is the music that brings peace to Yang Chuan's soul.\u003cbr\u003e\n\u003c\/div\u003e  \u003cdiv\u003ePoetics has its own lineage and genes. As someone who writes Chinese poetry, I'm certainly aware of its continuity. However, tracing poetry's genealogical database and investigating its genetic genealogy isn't like uncovering the horror of crime in a criminal investigation. Instead, by analyzing the clues in the family database of poetic genes, I seem to have grasped some of the lineage. Reading the last few lines of Yang Chuan's 1985 poem \"Between the Plainness\": Sometimes nightmares are low-flowing blood \/ Why are I tired \/ No \/ I still hold a sun lamp \/ Waiting for the bus in the howling night rain,\" I seem to smell the spiritual flavor of Yang Mu's classic line in \"Screen\": \"I don't know what my mood will be like when the dew is heavy after sunset!\"\u003cbr\u003e \u003cbr\u003eYang Chuan had already undergone a transformation since 1982. He had admired the Zen spirit of Zheng Chouyu and been captivated by the hazy works of Bei Dao. He had shed the nostalgic feelings of his youth, and after settling his most cherished admiration, he embarked on his second collection of poetry, \"Searching for Trees.\" This was from 1987 to 2000. His poetry gradually became more three-dimensional, with lyricism somewhat losing ground to symbolism. His past meticulous brushwork now reads as sketchy, yet more poignant. The opening lines of \"Potted Human\": Sadly contemplating the height \/ Pacing back and forth \/ In the dry interior \/ Spring passes and autumn arrives.\u003cbr\u003e \u003cbr\u003eThe shift in vocabulary, from euphemistic to pointed, from obscurity to clarity, from self-participation to observation, from richness to coolness—this is my first impression upon reading Yang Chuan's third poetry collection. But are these changes merely superficial? Even a rose with a new name still smells the same; a hydrangea that changes from blue to purple is still a hydrangea, isn't it? For example, in Malaysia, different races have different ways of describing a particular thing. The Chinese term for a woman's butterfly outfit is Baju Kelawar in Malay. Which creature, butterfly or bat, is more aptly used to describe women's clothing? Aesthetically, it's a subjective decision. And the Malay term \"Musim Bunga\" is the Chinese word for spring. Is there a difference in imagery between flower season and spring? In fact, his poetic style has truly evolved! For over forty years, it's almost impossible for it to remain unchanged.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e This collection is divided into two parts, \"Poems Written in Mainland China\" contains a total of 18 poems, and the other 33 poems are summarized in \"Poems Written in Johor Bahru\".\u003c\/div\u003e\n\u003cdiv\u003e Thrill and relief should be parallel shocks! (To be continued)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e  \u003cp style=\"margin: 0cm; margin-bottom: .0001pt; text-align: justify; text-justify: inter-ideograph; background: white;\"\u003e\u003cspan lang=\"MS\" style=\"font-family: 'Calibri',sans-serif; mso-fareast-font-family: KaiTi; color: black; mso-ansi-language: MS;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e——Excerpt from the text:\u003c\/h3\u003e\n\u003cdiv\u003e \u0026lt;childish\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e Your vacant seat\u003c\/div\u003e\n\u003cdiv\u003e Already filled\u003c\/div\u003e\n\u003cdiv\u003e Time has its limits\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e Gossiping about springtime is a luxury\u003c\/div\u003e\n\u003cdiv\u003e Let's keep it simple\u003c\/div\u003e\n\u003cdiv\u003e A few thoughtful notes\u003c\/div\u003e\n\u003cdiv\u003e Really not necessary\u003c\/div\u003e\n\u003cdiv\u003e Full of thoughts, I go through the exhibition again\u003c\/div\u003e\n\u003cdiv\u003e Only appears abrupt\u003c\/div\u003e\n\u003cdiv\u003e Wake up and wait for me\u003c\/div\u003e\n\u003cdiv\u003e Sleeping moss crawling\u003c\/div\u003e\n\u003cdiv\u003e The most depressing part\u003c\/div\u003e\n\u003cdiv\u003e And the layout is light\u003c\/div\u003e\n\u003cdiv\u003e So cautious\u003c\/div\u003e\n\u003cdiv\u003e It won't be unfair to you\u003c\/div\u003e\n\u003cdiv\u003e Not to me either.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e 〈No. 200 Ninghai Road〉\u003c\/div\u003e\n\u003cdiv\u003e The plane trees along the street attracted him.\u003c\/div\u003e\n\u003cdiv\u003e Stay. For autumn\u003c\/div\u003e\n\u003cdiv\u003e Empty bedroom\u003c\/div\u003e\n\u003cdiv\u003e Upon arrival\u003c\/div\u003e\n\u003cdiv\u003e It seems like something happened\u003c\/div\u003e\n\u003cdiv\u003e Snow-white walls\u003c\/div\u003e\n\u003cdiv\u003e Blood-red sofa\u003c\/div\u003e\n\u003cdiv\u003e But no one knows him\u003c\/div\u003e\n\u003cdiv\u003e Check the information and open the map\u003c\/div\u003e\n\u003cdiv\u003e He confirmed the time locked in the south\u003c\/div\u003e\n\u003cdiv\u003e Drinking the first cup of coffee in Nanjing\u003c\/div\u003e\n\u003cdiv\u003e He has to wash the cup himself.\u003c\/div\u003e\n\u003cdiv\u003e Be careful not to leave any trace\u003c\/div\u003e\n\u003cdiv\u003e Stay in this beautiful place\u003c\/div\u003e\n\u003cdiv\u003e Sudden drop in temperature in the morning\u003c\/div\u003e\n\u003cdiv\u003e Shedding tears calmly\u003c\/div\u003e\n\u003cdiv\u003e Two lines of warm cicada sounds\u003c\/div\u003e\n\u003cdiv\u003e I fell silent.\u003c\/div\u003e\n\u003cdiv\u003e He always sees\u003c\/div\u003e\n\u003cdiv\u003e The old flower woman's gray raincoat\u003c\/div\u003e\n\u003cdiv\u003e Hiding in the colorful street corner\u003c\/div\u003e\n\u003cdiv\u003e Close your eyes and rest your mind\u003c\/div\u003e  \u003cdiv\u003eIn the great darkness at the crossroads\u003c\/div\u003e\n\u003cdiv\u003e Growing quietly under the eaves\u003c\/div\u003e\n\u003cdiv\u003e Drinking water and talking about my life\u003c\/div\u003e\n\u003cdiv\u003e Is it the previous life or this life?\u003c\/div\u003e\n\u003cdiv\u003e He keeps walking late at night\u003c\/div\u003e\n\u003cdiv\u003e No talking, no writing poetry\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e Slowly walk through your body\u003c\/div\u003e\n\u003cdiv\u003e The dust that has not been digested during the day\u003c\/div\u003e\n\u003cdiv\u003e Recognizing China's lungs\u003c\/div\u003e\n\u003cdiv\u003e Spit out phlegm\u003c\/div\u003e\n\u003cdiv\u003e Prejudicial accent\u003c\/div\u003e\n\u003cdiv\u003e It happens to fall on the edge of Ninghai Road\u003c\/div\u003e\n\u003cdiv\u003e The plane trees along the street attracted him.\u003c\/div\u003e\n\u003cdiv\u003e Stay. For autumn\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504965718232,"sku":"M00686","price":30.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/e0b041a82728a0c0936fd083c4804581_4f2f2773-c3d6-4100-bbb2-6a853c7aad49.jpg?v=1751093968"},{"product_id":"拿督公研究-史料与田野调查","title":"Research on Datuk Gong: Historical Materials and Field Research","description":"Publication Date: 2024 Editor-in-Chief: Dr. Chen Aimei Number of Pages: 372\u003cbr data-mce-fragment=\"1\"\u003e ISBN：9789672477211\u003cbr data-mce-fragment=\"1\"\u003e Publisher: University of Malaya Press\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e ▍Content Introduction:\u003cbr data-mce-fragment=\"1\"\u003e This is the first collection of scholarly essays on the subject of Dato' Gong, featuring nineteen original articles organized into four sub-themes: A Century-Long Review, Interreligious Dialogue, Regional Case Studies in Malaysia, and Studies of Dato' Gong in Malaysia, Thailand, Singapore, and India. The book not only presents valuable firsthand historical materials on Dato' Gong devotion in both Chinese and English, but also documents and analyzes observations of Dato' Gong devotion across various regions through field research.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Where is Dato Gong?\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eAccording to the belief passed down by word of mouth, it can be found in busy streets, construction sites, plantations, parking lots, uninhabited islands, street corners, in front of houses, and also in the solemn and dignified main halls of temples.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e What kind of deity is Dato Gong? How widespread is his faith?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e This book will take you into the field of academic research on Dato Gong and explore this indigenous belief with distinct Southeast Asian characteristics, especially among the Chinese in Malaysia and Singapore.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e ▍Editor-in-Chief Introduction:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Dr. Tan Ai Boay is a native of Meihu, Penang, and her ancestral home is Shangchen Village, Lufeng, Guangdong.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Currently, he is an Associate Professor and Course Director at the Institute of Chinese Studies, Universiti Tunku Abdul Rahman, and a Consultant to the Buddhist Archives of the Malaysian Buddhist Association. He holds a PhD (History) and a MA (History) from the University of Malaya, and a BA (major in Anthropology and minor in Chinese Literature) from National Taiwan University.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e She has published dozens of academic journal papers at home and abroad, and is the editor-in-chief of \"Traces of Chinese in Southeast Asia: History and Legends of Cave Temples in Ipoh, Perak, Malaysia\". Her research areas include Malaysian Chinese history and culture, and traditional Chinese religions.","brand":"拉曼大学出版社","offers":[{"title":"Default Title","offer_id":50504965783768,"sku":"M00595","price":98.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/WPn0flyY660fada76abd0_1712303527.webp?v=1751093967"},{"product_id":"文字烧","title":"Monjayaki","description":"\u003cp\u003e Author: Weng Wanjun, illustrations by Chen Kexin Publication date: 2018\/06\/01\u003cbr\u003e Printing: Color printing Number of pages: 230\u003cbr\u003e Size: Length 21 × Width 14 × Height 1.5cm\u003cbr\u003e ISBN：9789670744490\u003cbr\u003e Publisher: Someone Published\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e  \u003cp\u003eA collection of essays by Weng Wan-jun, accompanied by illustrations by Chen Ke-xin (wabiko). The essays revolve around food, memories, and the personalities and people who inhabit them.\u003cbr\u003e Shi Huimin wrote the preface and recommended:\u003cbr\u003e Weng Wanjun's \"Monjayaki\" captures the flavors of time. It's not about culinary anecdotes, the origins of different schools, or insights into taste and culture, but rather the intertwining of life and events within the sensual pleasures of life. Through food, she revisits the past, a woman's journey through places, encounters, and experiences. Whether through food or small anecdotes, from \"appreciating things\" to \"reflecting on oneself,\" Weng Wanjun writes about her passion for herself, for others, and for life.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e\n\u003cp\u003e Weng Wan-jun graduated from the Graduate Institute of Chinese Literature at National Taiwan University and currently works as a copywriter and translator. She has previously worked as a fashion magazine editor, a supplement reporter, and as a teacher at an international school.\u003cbr\u003e His essays have won awards such as the Huazong Literary Award and the Seagull Literary Award. His essay collection, \"The Dark Side of the Moon,\" was shortlisted for the Huazong Malaysian Chinese Literature Award. His co-authored works include the music and lifestyle journal \"Turn Back,\" the concept album \"The Most Beautiful Moment,\" \"A Writer's Home,\" and \"Our Years in Taiwan.\"\u003c\/p\u003e\n\u003cp\u003e ▍About the illustrator:\u003c\/p\u003e\n\u003cp\u003e Chen Kexin (wabiko) \u003cbr\u003eAn illustrator born in the 1980s. Currently a freelancer. His pen name is \"Wabikong,\" a play on the Chinese character for \"picking one's nose.\"\u003cbr\u003e The extended meaning of the name: Don’t forget to be brave and be yourself, and don’t care too much about other people’s opinions.\u003cbr\u003e Creative inspiration comes from carefully feeling the little things in life, whether good or bad, and letting my imagination run wild.\u003c\/p\u003e\n\u003cp\u003e ▍Monsoon Belt Book Review:\u003c\/p\u003e\n\u003cp\u003e ｜I am willing to select books for you every week｜Monjayaki\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504966340824,"sku":"M00051","price":32.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/x4rciZ_d7df5381-9d9d-491b-906a-f47ff0bf74b7.jpg?v=1751093963"},{"product_id":"新加坡1963年的冷藏行动","title":"Operation Coldstore in Singapore in 1963","description":"\u003cp\u003e Publication Date: 2013\/11\/01\u003cbr\u003e Authors: Fu Shujie, Chen Guofang, Kong Lisha Pages: 412\u003cbr\u003e ISBN: 9789670630113\u003cbr\u003e Publisher: Strategic Information Research Center\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e\n\u003cp\u003e Operation Coldstore remains one of the most controversial events in Singapore's post-colonial history. Despite attempts by authorities to silence former detainees by warning them not to rewrite history in a way that differs from their own, the authors in this collection have defied warnings and resolutely rewrote history, documenting the facts from their own perspectives and perspectives.\u003c\/p\u003e  \u003cp\u003eInterwoven with the author's autobiographical narrative, the book brings to life these left-wing political figures who responded to the call to action, embraced the anti-colonial movement, and accepted the challenge of building a new society. These thought-provoking narratives, complemented by scholarly contributions, offer a profound analysis of the context of Singapore's historical events. These contributions also offer a critical reinterpretation of much of the history of Singapore that simply and blindly follows the narratives of those in power.\u003c\/p\u003e\n\u003cp\u003e As we commemorate Operation Coldstore, we fully acknowledge the personal price paid by the most tenacious leaders of their generation, so that the people of Singapore can better understand the nature of state power throughout their society.\u003c\/p\u003e","brand":"策略资讯研究中心","offers":[{"title":"Default Title","offer_id":50504966373592,"sku":"M00300","price":45.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/hJiOwV.jpg?v=1751093962"},{"product_id":"无所事事","title":"Doing nothing","description":"\u003cp\u003e Publication Date: 20160501\u003cbr\u003e Author: Lin Weidi Pages: 192\u003cbr\u003e Size: Length 21cm × Width 14cm\u003cbr\u003e ISBN：9789670744148\u003cbr\u003e Publisher: Someone\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003cbr\u003e In my teens and twenties, I spent a lot of time listening to music, watching movies and TV series.\u003cbr\u003e\u003cbr\u003e Watching stage plays, playing computer games, and most importantly, reading.\u003cbr\u003e\u003cbr\u003e At that time I had nothing to do and had eyes that looked like I had nothing to do.\u003cbr\u003e\u003cbr\u003e This is a book of \"looking\", a book of doing nothing.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e A Malaysian Chinese, born in Penang, he graduated from Taipei Municipal Ren'ai Primary School, Bukit Mertajam Jit Sin Independent High School, Malaysia, International Medical University of Malaysia, Faculty of Medicine of the University of Manchester, UK, and obtained a postgraduate diploma in occupational medicine from the National University of Singapore.\u003cbr\u003e\u003cbr\u003e He has won the Malaysia Huazong Literary Award for Newcomer Prose and Newcomer Poetry.\u003cbr\u003e  \u003cbr\u003eHe has written the essay collections \"Before the First Book\", \"Arrogant\" (Malaysia You Ren Publishing House), \"So\" (Taiwan Xiu Wei Publishing House), \"Between Two Doctors\" (co-authored with Wu Meiyun), \"Real Doctor, Fake Literary Youth\" (Malaysia Dajiang Publishing House), and the novel \"The Disappearance of Your and My Country\" (Malaysia San San Publishing House).\u003cbr\u003e\u003cbr\u003e He currently works at Raffles Hospital in Singapore, and is also a director of Grassroots Book Room in Singapore and editor-in-chief of the Malaysian literary reading magazine \"Monsoon Belt\".\u003cbr\u003e\u003cbr\u003e The column \"Real Doctor, Fake Hipster\" is published every Wednesday in Malaysia's China Press.\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504966602968,"sku":"M00268","price":28.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/bKV4c5_f595b4fd-728c-492a-9f52-dddc071609c4.jpg?v=1751093959"},{"product_id":"昔日儿童皆长大-槟岛乔治市男孩的故事","title":"The children of yesteryear have all grown up: The story of a boy from George Town, Penang","description":"\u003cp\u003e Publication Date: April 2024 Pages: 240\u003cbr\u003e Number of openings: length 21 × width 14.8\u003cbr\u003e ISBN：9786297674018 \u003cbr\u003ePublisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003cbr\u003e This book originated from an autobiography.\u003c\/p\u003e\n\u003cp\u003e After the COVID-19 pandemic subsided in 2021, Chen Zhihong and his wife returned to Penang and purchased a house on the edge of the George Town UNESCO World Heritage Site. To help his interior designer understand his background and decorating style, he wrote an article, \"My Autobiography,\" which recounted his life journey. The article, which he posted on Facebook, received a positive response, and he has been writing one a day ever since, \"trying to find a resting place in the world of words for those who loved me in the past, and thus embarked on a month-long journey of nostalgia.\"\u003c\/p\u003e\n\u003cp\u003e Forty-one essays, accompanied by some old photos, capture Chen Zhihong's childhood memories on the streets of George Town in the 1980s and 1990s, and family anecdotes under the eaves of traditional shophouses. Through writing, he sees himself coming alive, and the transformation of an old city over four decades. He says, \"Today, I still hear my mother's old voice, saying, 'Get up, it's time to go home.'\"\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e Chen Zhihong\u003c\/p\u003e  \u003cp\u003eBorn in George Town, Penang Island, Malaysia in 1976, his ancestral home is Anxi, Fujian. He holds a Master's degree in Chinese from the University of Malaya. Before moving to Korea at the age of 36 to study Korean, he taught part-time courses in Chinese and media departments at various universities. He later transitioned to a position as a creative director at a film and television company. He currently runs a language center with his wife.\u003c\/p\u003e\n\u003cp\u003e He has won numerous awards both domestically and internationally, including the Huazong Literary Award, the United Daily News Literary Award, and the New Era Global Chinese Youth Literature Award. He is the author of the short story collections Legs (2006) and Happiness Building (2015), and the essay collection Uncle's Travels in Korea (2023).\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504966832344,"sku":"M00596","price":42.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/pic6.jpg?v=1751093956"},{"product_id":"月亮背面","title":"far side of the moon","description":"\u003cp\u003e Publication Date: 20160701\u003cbr\u003e Author: Weng Wanjun Pages: 208\u003cbr\u003e Size: Length 21cm × Width 14cm\u003cbr\u003e ISBN：9789670744193\u003cbr\u003e Publisher: Someone\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e\n\u003cp\u003e Weng Wanjun's first collection of essays includes thirty-four essays, which unfold a twelve-year journey. With straightforward and sincere words, she frankly faces the self hiding on the other side of the moon.\u003c\/p\u003e  \u003cp\u003eThis collection of essays charts a trajectory of growth, using words to explore the inner contexts and consciousness of life. Themes range from exploring family of origin, personal emotions, the body, and death. Whether exploring the migration of families, childhood memories, the whispers of lovers, personal mobility, or the loneliness of living in a foreign land, themes of struggle and growth are all revolving around one. Reading each essay, one senses the writers' genuine desires and aspirations, sometimes lyrical and sometimes self-deprecating.\u003c\/p\u003e\n\u003cp\u003e \"The back of the moon\" can refer to a kind of meditation and sentiment in writing, and it is also a metaphor.\u003c\/p\u003e\n\u003cp\u003e Recommendation\u003c\/p\u003e\n\u003cp\u003e It is easy to identify a distinct attitude in each article. That straightforward voice of intervention is precisely the authentic shaping of family, literature, love, and marriage, and the embodiment of simple observation and original intention.\u003c\/p\u003e\n\u003cp\u003e ──Gao Jiaqian (Associate Professor, Department of Chinese, National Taiwan University)\u003c\/p\u003e\n\u003cp\u003e The many trivial daily lives condense into more private nests, where there are more healing voices and more acceptance of one's own feelings, including moments of vulnerability, moments of dependence, and moments of doubt.\u003c\/p\u003e\n\u003cp\u003e ──He Shufang (Malaysian Chinese writer)\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e  \u003cp\u003eA graduate of the Graduate Institute of Chinese Literature at National Taiwan University, he currently teaches at an international school. He has been a writer and translator for many years and has previously served as editor-in-chief and supplement reporter for fashion magazines. His essays have won the Huazong Literary Award and the Seagull Literary Award. He co-authored the music and lifestyle journal \"Turn Button\" and the concept album \"The Most Beautiful Moment.\" Having spent the first half of his life diligently pursuing his dreams, he has decided to spend the second half of his life experiencing the world with his own feet and eyes, transforming the crisscrossing axes into the beautiful eyes of his heart.\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504967258328,"sku":"M00564","price":30.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/eTydKd_14663adb-444d-4fb5-8203-9ab8a3c1f106.jpg?v=1751093954"},{"product_id":"林门郑氏","title":"Linmen Zheng family","description":"\u003ch2\u003e \u003cstrong\u003e▍Content Introduction:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e A rare long prose piece in Malaysian Chinese literature.\u003c\/p\u003e\n\u003cp\u003e Starting from the death of her grandmother and her mother's cancer, Lin Xuehong reviewed her mother's life from the perspective of a daughter.\u003c\/p\u003e\n\u003cp\u003e \"I think my mother must have a strong and vigorous vitality. That's how she could withstand the hardship and despair of life...\"\u003c\/p\u003e\n\u003cp\u003e Born in a small town, from a poor family, she only attended sixth grade and married young, but her marriage was unhappy. A woman of the old times, facing opposition from relatives and a quarrelsome family, yearned to maintain her dignity while struggling to survive, she spent her entire life at her sewing machine, working day and night.\u003c\/p\u003e\n\u003cp\u003e \"Behind that focused face lies immense pressure, innate resilience, and a resigned acceptance of fate.\"\u003c\/p\u003e\n\u003cp\u003e Lin Xuehong wrote about more than just her mother.\u003c\/p\u003e\n\u003ch2\u003e \u003cstrong\u003e▍Author:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003cstrong\u003eLin Xuehong\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eBorn in 1982, he has lived in China since 2005 and currently resides in Tianjin. His works have appeared in Sin Chew Daily, Nanyang Siang Pau, Beijing Evening News, Southern Weekend, Shanhua, and Dianchi. He won the 15th Huazong Literary Award for Fiction. He has worked as a tutor, cafe waiter, translator, and Chinese teacher.\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504967422168,"sku":"M00815","price":38.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/Picture1_a24bd238-1582-481e-8ccc-fe85403e96ec.jpg?v=1751093952"},{"product_id":"查尔斯河畔的雁声-随笔马华文学ii","title":"The Cry of Geese Along the Charles River: Essays on Malaysian Chinese Literature II","description":"\u003cp\u003e Publication Date: 20220401\u003cbr\u003e Author: Zhang Jinzhong Pages: 20220401\u003cbr\u003e Size: 5.75 inches x 8.25 inches\u003cbr\u003e ISBN：9789670744711\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003cbr\u003e \"The Geese Crying on the Charles River\" is the sequel to Zhang Jinzhong's \"Essays on Malaysian Chinese Literature\". It contains more than 80 miscellaneous essays, which are divided into ten volumes in the format of classification.\u003cbr\u003e The first three volumes focus on poetry, prose, and novels respectively; the fourth volume, \"Literary Memory\", recalls the days of \"Student Weekly\" and \"Jiaofeng Monthly\"; the fifth volume presents the author's recent views on the \"Chinese language system\"; and the sixth volume discusses the necessity of literary historical materials.  \u003cbr\u003eThe seventh volume is a collection of essays, revisiting old topics such as the lack of critical criticism of Malaysian Chinese literature. The eighth volume explores the books that influenced the author, along with literary cities and prizes. The ninth volume transcends the boundaries of Chinese language, incorporating Malay and English into its scope, reflecting on Malaysian Chinese literature. The final volume includes the author's response essays and articles published in Contemporary Review.\u003cbr\u003e In 2015, Zhang Jinzhong published \"Time is So Far Away: Essays on Malaysian Chinese Literature,\" a collection of seventy miscellaneous essays, prefaces, and book reviews. In the years since, Zhang Jinzhong has continued to write about Malaysian Chinese literature, accumulating more than a dozen books. His constant concern for this subject has undoubtedly resonated.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e Zhang Jinzhong was born in Kuantan, Pahang in 1956 and came to Taiwan in 1981. He holds a PhD in Foreign Literature from National Taiwan University and currently teaches in the Department of Foreign Languages ​​at National Sun Yat-sen University in Kaohsiung.  \u003cbr\u003eHe has written the short story collections \"The Fantasy of the White Bird\" and \"Gecko\", the poetry collections \"The Poems in Front of My Eyes\" and \"Like a River, He is His Own Silence\", the essay \"Time is So Far Away: Essays on Malaysian Chinese Literature\", the essay collection \"Nanyang Discourse: Malaysian Chinese Literature and Cultural Attributes\", the translation \"English Translation of Tan Ruixian's Poems\", etc. He has also edited several anthologies and essay collections of Malaysian Chinese literature.\u003c\/p\u003e\n\u003cp\u003e ▍Table of contents:\u003cbr\u003e Preface, Distant Echoes ◎ Shi Huimin 7\u003cbr\u003e 1. Xiwan Poetry: Poems from afar, trees on the road - Review of \"Moving Trees: Selected Poems of Huang Yuanxiong\" 12\u003cbr\u003e Shen Bihao's poem, The Call of the Sea 14\u003cbr\u003e In Sarawak, the subtle fragrance of lotus lingers\u003cbr\u003e Fish bones, dentures, \"Denture Poems\" 18\u003cbr\u003e Birds dart, the sky moves—Reading Pan Zhenglai’s poetry collection “Heavenly Carpet” in early summer 22\u003cbr\u003e At the End of the Lights——Postscript to \"Like a River, He is His Own Silence\" 28\u003cbr\u003e Pebbles (Olive Trees) and Blackbirds: Piao Beiling and His Poems — Remembering the Friends of the Renjian Poetry Society 33\u003cbr\u003e The Tower and Poetry: On Xie Hao’s Poetry Collection “Part-time Poet” 44\u003cbr\u003e 2. Roadside Prose: Mei Shuzhen's Preface, Postscript, Miscellaneous Thoughts, and Essays on \"Human World Collection\"\u003cbr\u003e Reading Fang Guixiang on a Rainy Day 57 \u003cbr\u003eContinue to sail to Taiwan on the slow boat 61\u003cbr\u003e Part 2 of the Taiwan Study Abroad Program: Stories from My Hometown — Remembering Senior Zheng Liangshu, a pioneer who stayed in Taiwan and returned to Malaysia\u003cbr\u003e After Accidentally Walking Away: Preface to Lu Peiyi's Prose Collection \"The Secret Chamber of Time\" 73\u003cbr\u003e In the Shadow of the Rubber Trees: Preface to \"Deep in the Rubber Forest: Rubber Trees in Malaysian Chinese Literature\" 76\u003cbr\u003e The turtle doves still purr: The scenery of the transition station between the ice valley and the writing of old age 80\u003cbr\u003e A Mountain Walking Towards You: Preface to Wu Hailiang's \"A Life of Great Awakening\" 84\u003cbr\u003e 3. Novel Phantom Novel—— Preface to \"The Phantom of the White Bird\" 92\u003cbr\u003e Forgotten, Realist, Fang Tian 93\u003cbr\u003e A Southern Town Full of Phantoms——Huang Jinshu's Derivative Novel 97\u003cbr\u003e Searching and searching, the endless lead type is sad and miserable.\u003cbr\u003e Guan Yafeng's Rose for Emily, The Noise and Fury of Zhuba Village 106\u003cbr\u003e From Zhu Yu's Book to Li Que's Book: The Unfinished Dream of Martial Arts, the Lost World of Martial Arts - A Review of Li Yongping's New Picture of the Female Knight 111\u003cbr\u003e Sarawak Chinese Novels in Taiwan: The Case of Li Yongping and Zhang Guixing116\u003cbr\u003e 1969, Don’t Mention It Again — Selected Novels 123\u003cbr\u003e This batch of unicorns and that batch of zebras - written after the compilation of contemporary Malaysian Chinese novels 133 \u003cbr\u003eIV. Literary Memory: Memory of Wind, Jiao Feng, No. 206, 140\u003cbr\u003e Recalling Zhou Huan, recalling the Student Weekly\u003cbr\u003e No. 10, Jalan 217, Petaling Jaya, Encore 145\u003cbr\u003e No. 10, 217th Road, Detailed Talk from the Beginning, Brother Liu and I 151\u003cbr\u003e A generation has indeed passed away as quietly as a spring night.\u003cbr\u003e The time I spent with Mei Shuzhen writing \"Banana Wind\" has long since passed, and I also talk about her writing.\u003cbr\u003e A Bountiful Sea: A Record of Forty Years of Friendship with Youcheng 164\u003cbr\u003e An Old Friend Farewells the Tamsui River: A Record of Li Yongping 172\u003cbr\u003e That summer, the hornbill flew by - Sarawak authors when I was editing the \"Journal of the University\" 177\u003cbr\u003e Still wanting more - Kuching travelogue 182\u003cbr\u003e 5. Chinese language Twilight Zone\u003c\/p\u003e\n\u003cp\u003e In the twilight or morning glow of the Chinese language family - China, so far away in time 188\u003cbr\u003e From Nanyang Writing to Chinese Language 194\u003cbr\u003e Returning to Chinese Literature: Revisiting the Chinese Language Theory in the Age of Farewell 199\u003cbr\u003e Cross-domain Night Journey: When the Chinese language family meets the Malay language family——Editorial Notes of Night Journey: Selected Translations of Taiwanese and Malaysian Novels 203\u003cbr\u003e Encyclopedia 1: “Emerging Chinese Literature” 206\u003cbr\u003e Entry 2: “Malaysian Chinese Literature in Taiwan” 208\u003cbr\u003e 6. Necessary lowercase Fang Tian in literary historical materials 212 \u003cbr\u003eRewrite Fang Tian 214\u003cbr\u003e The Dilemma of Lack of Literary Historical Materials: Taking Fang Tian as an Example216\u003cbr\u003e Who is Archiving the Memory of Malaysian Chinese Literature? — Taking Fang Tian as an Example218\u003cbr\u003e Who is Rao Chuyu? — Necessary Literary Historical Materials 220\u003cbr\u003e James Soong, Yu Tien and Rubber Plantation 222\u003cbr\u003e The Necessity of Historical Materials and Literary Memory\u003cbr\u003e VII. Common Nouns and Miscellaneous Thoughts Preface to the Special Topic “The Lack of Malaysian Chinese Literary Criticism” 228\u003cbr\u003e Hama Xing Letters: Malaysian Chinese Literature Criticism and its Poverty 230\u003cbr\u003e Reflections on a Friend's Proofreading at the End of the Jiawu Year (Part 1)\u003cbr\u003e Reflections on a Friend's Proofreading at the End of the Jiawu Year (Part 2)\u003cbr\u003e Teenager - One of \"Our Ten Common Nouns\" 238\u003cbr\u003e Educational Background - \"Our Ten Common Nouns\" Part 240\u003cbr\u003e Local - \"Our Ten Common Nouns\" Part 3 242\u003cbr\u003e Dispersion - \"Our Ten Common Nouns\" Part 4 244\u003cbr\u003e Department of Chinese\/Department of Foreign Languages ​​- \"Our Ten Common Nouns\" Part 5 246\u003cbr\u003e A Few Words — Postscript to \"Malaysian Chinese Literary Criticism Series: Zhang Jinzhong\" 248\u003cbr\u003e 8. Books and Cities and Other Reading Experiences, Context of Thought — Preface to Xu Defa’s “A Journey of Learning: Autobiographies of Twenty-Two Young Scholars” 252 \u003cbr\u003eBringing me closer to the brilliant stars in the night sky - Books that influenced me and my recommended reading list 258\u003cbr\u003e Why should I study Malaysian Chinese literature?\u003cbr\u003e A Visible (Literary) City 266\u003cbr\u003e Malaysian Chinese Literature: Not Made in Malaysia 268\u003cbr\u003e The \"Taiwan Team\" at the Guangzhou Malaysian Chinese Literature Conference 270\u003cbr\u003e 273 Flowers in Spring City\u003cbr\u003e Demonstrating the Power of Literary Awards 275\u003cbr\u003e The 14th Huazong Malaysian Chinese Literature Award Summary 278\u003cbr\u003e In the afterglow of the setting sun in Sai Wan: In memory of Mr. Yu Guangzhong\u003cbr\u003e Oh! Chen Yingzhen 284\u003cbr\u003e Product of Delay 288\u003cbr\u003e IX. The Malay Literary Environment in Those Years in the Multilingual Evening Mist Garden: Literary Magazines, National Language, Malay Literature, and Me\u003cbr\u003e Returning to Chinese-Malay Literature: Preface to Returning to Malaya: Seventy Years of Chinese-Malay Fiction\u003cbr\u003e Resistance, Diaspora, and the Transnationality of Travel: Ma Ying-jeou Literature and Chinese-Ma Ying-jeou Fiction 301\u003cbr\u003e A Short History of Chinese, Malaysian and English Novels 308\u003cbr\u003e Chen Tuanying has a \"Garden of Evening Mists\" 311\u003cbr\u003e Diaspora and the Other 315\u003cbr\u003e Blooming Hibiscus: A Talk on Malaysian Literature 317\u003cbr\u003e 10. Comments on the humble dream of a contemporary intellectual: Occasional thoughts on an ideal cultural society 330 \u003cbr\u003eBeginning with Divergence, Ending with Farewell, or, a Divergent Narrative of Farewell (Unable to) — Preface to Huang Jinshu’s Collection of Essays on Malaysian Chinese Literature 335\u003cbr\u003e How can we allow history to become ashes? — On the suspension of Nanyang Literature and Art 346\u003cbr\u003e A New Voice in a Different Generation: Two Malaysian Chinese Literature Symposiums 350\u003cbr\u003e The Cry of Geese on the Charles River: May Fourth and May 13th: A Movement, an Event\u003cbr\u003e Malaysian Chinese Literature and the “Literary Logistics Chain” — A Discussion on the Production and Sales of a Poetry Collection\u003cbr\u003e Literature as Action: The 2019 George Town Literary Festival and Malaysian Chinese Literature 362\u003cbr\u003e The Loneliness of a Long-Distance Runner: Literary Environment and Malaysian Chinese Literature 367\u003cbr\u003e Postscript, Boiling Notes, or Monologue 372\u003cbr\u003e Postscript to Postscript 377\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504967487704,"sku":"M00314","price":50.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/pIEG5i_9d8b5ead-89f2-4bf5-a3c6-e53296bb5a39.png?v=1751093950"},{"product_id":"梅淑贞文选01-梅诗集","title":"Mei Shuzhen's Selected Works 01: Mei Poetry","description":"\u003cp\u003e Publication Date: December 2023 Author: Mei Shuzhen Pages: 304 Format: 21cm long x 14.6cm wide\u003cbr\u003e ISBN：9789670744926\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e\n\u003cp\u003e A collection of Mei Shuzhen's poems and poetic views spanning sixty years.\u003cbr\u003e This book is a collection of new poems and essays on poetry by veteran Malaysian writer Mei Shuzhen, and is also the first in the \"Selected Works of Mei Shuzhen\" series.  \u003cbr\u003eThe book is divided into three volumes. Volume 1, \"The Beginning of the Search for Poetry,\" contains twenty poems written by Mei Shuzhen between 1968 and 1978.\u003cbr\u003e The second collection, \"Searching for Poems in the Dream of the Red Chamber,\" contains fifty-three articles that discuss the poems in the classic Chinese novel \"Dream of the Red Chamber\" in the form of prose.\u003cbr\u003e Collection 3, “Old Stories of My City”, contains 12 new poems, which were written by Mei Shuzhen after she returned to her hometown of Penang in 2007. She used poetry to create an image of the old city of Penang.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e\n\u003cp\u003e Mei Shuzhen\u003cbr\u003e\u003cbr\u003e Born in Penang in 1949, his ancestral home is Taishan, Guangdong.\u003cbr\u003e He graduated from the Department of Commerce of Tunku Abdul Rahman College in Kuala Lumpur in 1974 and worked as an accountant and company secretary.\u003cbr\u003e In addition to writing poetry, he also writes novels, essays, miscellaneous articles and translations.\u003cbr\u003e He has been writing continuously since 1966 and has published over three million words. From 2015 to 2022, he published a novel serialized in Guangming Daily. From 1983 to 1985, he served as editor-in-chief of the monthly magazine Jiao Feng.\u003cbr\u003e He has written the poetry collection \"Mei Poetry\" (1972), the prose collection \"Human World\" (1985) and \"Past and Present\" (2021), and co-translated with Mu Lingnu the poetry collection \"Mekong River\" (1973) by Malay poet Radif, and the collection \"Selected Prose of Rhinoceros\" (1976).\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504967520472,"sku":"M00588","price":43.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/001.jpg?v=1751093950"},{"product_id":"梅淑贞文选02-人间集","title":"Mei Shuzhen's Selected Works 02: Human World","description":"\u003cp\u003ePublication Date: December 2023 Author: Mei Shuzhen Pages: 456 Format: 21cm long x 14.6cm wide\u003cbr\u003e ISBN：9789670744933\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e\n\u003cp\u003e This book, divided into six volumes, encompasses essays, novels, poetry, translations, book reviews, and historical histories. It compiles works by Mei Shuzhen from the late 1960s to the early 2000s, covering diverse periods and themes. The diverse range of subject matter explored in this book is as rich as the landscape of the human world, reflecting a cross-section of local literary styles across different eras within a given time and space. While many of these works, such as the novels, translations, and book reviews, are tailor-made for the monthly themes of the Malaysian literary magazine Banana Wind (for which Mei Shuzhen served as a guest editor for many years), they also reveal the author's passion for writing and her bold and arduous exploration of diverse literary genres.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e\n\u003cp\u003e Mei Shuzhen\u003cbr\u003e\u003cbr\u003e Born in Penang in 1949, his ancestral home is Taishan, Guangdong.\u003cbr\u003e He graduated from the Department of Commerce of Tunku Abdul Rahman College in Kuala Lumpur in 1974 and worked as an accountant and company secretary.\u003cbr\u003e In addition to writing poetry, he also writes novels, essays, miscellaneous articles and translations.  \u003cbr\u003eHe has been writing continuously since 1966 and has published over three million words. From 2015 to 2022, he published a novel serialized in Guangming Daily. From 1983 to 1985, he served as editor-in-chief of the monthly magazine Jiao Feng.\u003cbr\u003e He has written the poetry collection \"Mei Poetry\" (1972), the prose collection \"Human World\" (1985) and \"Past and Present\" (2021), and co-translated with Mu Lingnu the poetry collection \"Mekong River\" (1973) by Malay poet Radif, and the collection \"Selected Prose of Rhinoceros\" (1976).\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504967586008,"sku":"M00589","price":60.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/002.jpg?v=1751093949"},{"product_id":"梅淑贞文选03-游花园","title":"Mei Shuzhen's Selected Works 03: Visiting the Garden","description":"\u003cp\u003e Publication Date: February 2024 Pages: 360\u003cbr\u003e Number of openings: length 21 × width 14.8\u003cbr\u003e ISBN：9789670744940\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003cbr\u003e This book primarily compiles Mei Shuzhen's columns, originally published in Sin Chew Daily from 2013 to 2016. Divided into two volumes, \"A Journey Through the Garden\" and \"A Journey Through the Study,\" both explore casual encounters with art in everyday life. The writing is genuine and moving, leaving a lingering aftertaste. From a poem, a song, a performance, an event... these evoke ripples of memories, feelings, and reflections; they explore the once-rich literary scene of Malaysian Chinese literature, and reminisce about past events and past friends.\u003c\/p\u003e  \u003cp\u003eThe footprints left while walking between the study and the garden were recorded by Mei Shuzhen in words.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e Mei Shuzhen\u003c\/p\u003e\n\u003cp\u003e Born in Penang in 1949, his ancestral home is Taishan, Guangdong.\u003c\/p\u003e\n\u003cp\u003e He graduated from the Department of Commerce of Tunku Abdul Rahman College in Kuala Lumpur in 1974 and worked as an accountant and company secretary.\u003c\/p\u003e\n\u003cp\u003e In addition to writing poetry, he also writes novels, essays, miscellaneous articles and translations.\u003c\/p\u003e\n\u003cp\u003e He has been writing continuously since 1966 and has published over three million words. From 2015 to 2022, he published a novel serialized in Guangming Daily. From 1983 to 1985, he served as editor-in-chief of the monthly magazine Jiao Feng.\u003c\/p\u003e\n\u003cp\u003e He has written the poetry collection \"Mei Poetry\" (1972), the prose collection \"Human World\" (1985) and \"Past and Present\" (2021), and co-translated with Mu Lingnu the poetry collection \"Mekong River\" (1973) by Malay poet Radif, and the collection \"Selected Prose of Rhinoceros\" (1976).\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504967618776,"sku":"M00601","price":50.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/70187542.webp?v=1751093948"},{"product_id":"梅淑贞文选04-无重点","title":"Mei Shuzhen's Selected Works 04: No Focus","description":"\u003cp\u003e Publication Date: February 2024 Pages: 273\u003cbr\u003e Number of openings: length 21 × width 14.8\u003cbr\u003e ISBN：9789670744957\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction: \u003cbr\u003eStarting from 2006, Mei Shuzhen wrote a \"Thousand Words Article\" every month in Malaysia's first current affairs magazine \"Asian Eye\" until the magazine ceased publication in 2011. This book is a collection of articles in that column, which is also the origin of the title.\u003c\/p\u003e\n\u003cp\u003e Although I was acting for expediency at the time and had no focus, writing whatever came to my mind and wherever I thought of, after compiling it, I found that the original ideas were passed down from generation to generation, and the focus of writing was still \"missing the people and events, the old homeland, and the books I have read.\"\u003c\/p\u003e\n\u003cp\u003e This book is divided into four volumes. \"Talking about the City\" describes the hometown Penang that is lingering in the soul, \"Talking about People\" details the people and events that are always in mind, and \"Miscellaneous Notes\" and \"Miscellaneous Memories\" are filled with the clouds, moon and the fragrance of books along the way, which are all the flavors of the diverse talents and emotions.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e Mei Shuzhen\u003c\/p\u003e\n\u003cp\u003e Born in Penang in 1949, his ancestral home is Taishan, Guangdong.\u003c\/p\u003e\n\u003cp\u003e He graduated from the Department of Commerce of Tunku Abdul Rahman College in Kuala Lumpur in 1974 and worked as an accountant and company secretary.\u003c\/p\u003e\n\u003cp\u003e In addition to writing poetry, he also writes novels, essays, miscellaneous articles and translations.\u003c\/p\u003e  \u003cp\u003eHe has been writing continuously since 1966 and has published over three million words. From 2015 to 2022, he published a novel serialized in Guangming Daily. From 1983 to 1985, he served as editor-in-chief of the monthly magazine Jiao Feng.\u003c\/p\u003e\n\u003cp\u003e He has written the poetry collection \"Mei Poetry\" (1972), the prose collection \"Human World\" (1985) and \"Past and Present\" (2021), and co-translated with Mu Lingnu the poetry collection \"Mekong River\" (1973) by Malay poet Radif, and the collection \"Selected Prose of Rhinoceros\" (1976).\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504967684312,"sku":"M00602","price":42.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/pic1.jpg?v=1751093947"},{"product_id":"梅淑贞文选05-梅得食","title":"Mei Shuzhen's Selected Works 05: Mei De Shi","description":"\u003cp\u003e Publication Date: April 2024 Pages: 396\u003cbr\u003e Number of openings: length 21 × width 14.8\u003cbr\u003e ISBN: 9789670744964\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003cbr\u003e Just looking at the titles of each article in this book will make you want to think: Red Beans Turn into Snow and Frost \/ The Carnal Prayer Mat Served with Rice \/ Sour and Spicy Wang Zhaojun \/ Dried Tofu is Sold Out...\u003c\/p\u003e\n\u003cp\u003e Different from the so-called gourmet articles in the market, Mei Shuzhen carries on the tradition by \"getting to eat\" and uses the connection derived from taste to write a new realm of writing about food and drink.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e Mei Shuzhen\u003c\/p\u003e\n\u003cp\u003e Born in Penang in 1949, his ancestral home is Taishan, Guangdong.\u003c\/p\u003e\n\u003cp\u003e He graduated from the Department of Commerce of Tunku Abdul Rahman College in Kuala Lumpur in 1974 and worked as an accountant and company secretary.\u003c\/p\u003e  \u003cp\u003eIn addition to writing poetry, he also writes novels, essays, miscellaneous articles and translations.\u003c\/p\u003e\n\u003cp\u003e He has been writing continuously since 1966 and has published over three million words. From 2015 to 2022, he published a novel serialized in Guangming Daily. From 1983 to 1985, he served as editor-in-chief of the monthly magazine Jiao Feng.\u003c\/p\u003e\n\u003cp\u003e He has written the poetry collection \"Mei Poetry\" (1972), the prose collection \"Human World\" (1985) and \"Past and Present\" (2021), and co-translated with Mu Lingnu the poetry collection \"Mekong River\" (1973) by Malay poet Radif, and the collection \"Selected Prose of Rhinoceros\" (1976).\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504967717080,"sku":"M00603","price":53.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/pic2.jpg?v=1751093946"},{"product_id":"梅淑贞文选06-梅花观","title":"Mei Shuzhen's Selected Works 06: Views on Plum Blossoms","description":"\u003cp\u003e Publication Date: February 2024 Pages: 396\u003cbr\u003e Number of openings: length 21 × width 14.8\u003cbr\u003e ISBN：9789670744988\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003cbr\u003e Spanning over four decades, the first volume, \"Plum Blossoms,\" features essays on current affairs, revealing an intellectual's unequivocal understanding of national and worldly affairs. In the second volume, \"Computers and Tea,\" Mei Shuzhen offers a rare look at the pressures of a working woman juggling work and household chores, and how to balance them. The third volume, \"Viewing Plum Blossoms,\" captures the vibrant colors of life, making it a rare and diverse selection.\u003c\/p\u003e  \u003cp\u003eAbout the Author:\u003cbr\u003e Mei Shuzhen\u003c\/p\u003e\n\u003cp\u003e Born in Penang in 1949, his ancestral home is Taishan, Guangdong.\u003c\/p\u003e\n\u003cp\u003e He graduated from the Department of Commerce of Tunku Abdul Rahman College in Kuala Lumpur in 1974 and worked as an accountant and company secretary.\u003c\/p\u003e\n\u003cp\u003e In addition to writing poetry, he also writes novels, essays, miscellaneous articles and translations.\u003c\/p\u003e\n\u003cp\u003e He has been writing continuously since 1966 and has published over three million words. From 2015 to 2022, he published a novel serialized in Guangming Daily. From 1983 to 1985, he served as editor-in-chief of the monthly magazine Jiao Feng.\u003c\/p\u003e\n\u003cp\u003e He has written the poetry collection \"Mei Poetry\" (1972), the prose collection \"Human World\" (1985) and \"Past and Present\" (2021), and co-translated with Mu Lingnu the poetry collection \"Mekong River\" (1973) by Malay poet Radif, and the collection \"Selected Prose of Rhinoceros\" (1976).\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504967749848,"sku":"M00604","price":52.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/pic3.jpg?v=1751093945"},{"product_id":"梅淑贞文选07-梅戏言","title":"Mei Shuzhen's Selected Works 07: Mei's Playful Sayings","description":"\u003cp\u003e Publication Date: April 2024 Pages: 433\u003cbr\u003e Number of openings: length 21 × width 14.8\u003cbr\u003e ISBN：9789670744971\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction: \u003cbr\u003eThis is a collection of love letters from a fangirl (now called a fan) who has been obsessed with music and movies since childhood, penned while enjoying her own entertainment. The book is divided into two parts. In \"Songs and Singers,\" Mei Shuzhen reminisces about her former fandom, transforming the melodious music into a profound and moving story. In \"Drama and Life,\" she reenacts these stories of infatuation time and again, then writes about them, ultimately creating this book.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e Mei Shuzhen\u003c\/p\u003e\n\u003cp\u003e Born in Penang in 1949, his ancestral home is Taishan, Guangdong.\u003c\/p\u003e\n\u003cp\u003e He graduated from the Department of Commerce of Tunku Abdul Rahman College in Kuala Lumpur in 1974 and worked as an accountant and company secretary.\u003c\/p\u003e\n\u003cp\u003e In addition to writing poetry, he also writes novels, essays, miscellaneous articles and translations.\u003c\/p\u003e\n\u003cp\u003e He has been writing continuously since 1966 and has published over three million words. From 2015 to 2022, he published a novel serialized in Guangming Daily. From 1983 to 1985, he served as editor-in-chief of the monthly magazine Jiao Feng.\u003c\/p\u003e\n\u003cp\u003e He has written the poetry collection \"Mei Poetry\" (1972), the prose collection \"Human World\" (1985) and \"Past and Present\" (2021), and co-translated with Mu Lingnu the poetry collection \"Mekong River\" (1973) by Malay poet Radif, and the collection \"Selected Prose of Rhinoceros\" (1976).\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504967815384,"sku":"M00605","price":58.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/pic4.jpg?v=1751093945"},{"product_id":"槟城散记-新编注本","title":"Penang Notes (Newly Edited and Annotated Edition)","description":"\u003cp\u003e Publication Date: 2023\/11\/23\u003cbr\u003e Number of Pages: 500\u003cbr\u003e Number of openings: length 23 × width 17\u003cbr\u003e ISBN：9789811879050\u003cbr\u003e Publisher: Chou Sing Chu Foundation\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction: \u003cbr\u003eThe year 2023 marks the 65th anniversary of the publication of Penang Notes (1958) written by the late Penang expert Kwong Kok Siang (1904-1970) and published by World Books, as well as the 50th anniversary of the publication of Penang Notes: Sequel (1973). Classic works should be passed down through the ages, not just languishing in libraries. Following the critically acclaimed reprints of Lu Baiye's Malay Notes (Newly Annotated Edition) and Lion City Notes (Newly Annotated Edition), which were selected as books of the year by Singapore's Lianhe Zaobao and achieved the highest sales of Malaysian literature and history books in 2019, the Chou Sing Chu Foundation, the copyright holder of World Books' publications, is proud to present Penang Notes (Newly Annotated Edition). As the third volume in the \"Sing Chu Classics\" series, this extensive and rich collection of works is intended to be easily accessible to all Penang lovers, whether those yet to fall in love with the city, students, or even foreign tourists. With this volume in hand, they can savor every detail of Penang's past, and ultimately love and cherish Penang even more, so that it can live up to its UNESCO World Heritage designation. Penang is full of buildings with stories, and there is a strong cultural demand behind them. It is also one of the states with the highest proportion of Chinese population in Malaysia. Cultural and educational institutions and clan associations are everywhere. The complete supply of cultural and historical knowledge and sentiments can better shape the future development of Penang. As the saying goes, \"hard power makes a city strong, and soft power makes a city great.\"  \u003c\/p\u003e\n\u003cp\u003eThe geographical term \"Penang\" first appears in Zheng He's Navigation Map, originally included in the Ming Dynasty book \"Wu Bei Zhi\" (1628) compiled by Mao Yuanyi. There are also records indicating that Penang had navigable routes to China as early as the 15th century. Further back in time, human remains dating back 5,700 years were unearthed at the Guar Kepah shell midden site in northern Seberang Perai, Penang in 2017, dating back to the Neolithic Age.\u003c\/p\u003e  \u003cp\u003ePenang was modernized in 1786 under the leadership of British Captain Francis Light (1740-1794), over 200 years ago. With economic development and the influx of immigrants, schools, religious sites, newspapers, and clan associations flourished, disseminating knowledge and ideas, fostering the exchange of scholars and the flow of cultural influence. Penang's rich and diverse cultural history has made it a representative example of topographical research, attracting countless scholars over the years to explore the intricate relationships between the people and culture of Southeast Asia and Chinese and Western colonizers. Similarly, Beijing and Shanghai in China have established their own academic fields of \"Beijing Studies\" and \"Shanghai Studies,\" while Japan's \"Tokyo Studies\" and \"Kyoto Studies\" have become models for sociologists. When a city's distinctive characteristics become self-contained, they can become a discipline, much like the \"Redology\" (study of \"Dream of the Red Chamber\") and \"Zhang Studies\" (study of Eileen Chang) in the literary world. The fruitful and growing body of research on Penang has contributed significantly to the well-established field of Penang Studies. Kuang Guoxiang's Penang Notes and Penang Notes: Sequel are undoubtedly two of the most important works in the construction of Penang Studies.  \u003c\/p\u003e\n\u003cp\u003eOriginally from Yongxing, Dapu, Guangdong, China, Kuang Guoxiang was the great-nephew-in-law of Zhang Bishi, the first vice-consul in Penang during the Qing Dynasty. At the age of 26 (1930), he moved to Penang and took over the management of Shizhong School for decades. While in Penang, he delved deeply into literature and history. His book, \"Penang Notes,\" was published by World Book Company in Singapore in 1958, and \"Penang Notes: A Sequel\" was published in 1973. Half a century later, the Chou Sing Chu Foundation has combined the two books into a single volume, \"Penang Notes (Newly Annotated Edition).\" In addition to the 67 original essays and four prefaces, the Foundation's editorial team has added hundreds of thousands of words of annotations and images to enhance the understanding of contemporary readers, along with a chronology of the authors and a consulting preface by Professors Wang Runhua and Du Zhongquan. The five volumes cover historical anecdotes, historical landscapes, local chronicles of scenic spots, temples and ancestral halls, and anecdotes about people, systematically presenting Penang as portrayed by the author.\u003c\/p\u003e  \u003cp\u003eThe Federation of Malaya gained independence on August 31, 1957. The author wrote these essays in the 1940s and 1950s, a period of turmoil when diverse ethnic groups desperately needed to understand each other and unite to build a nation. Having lived in Penang for a long time, the author developed a deep affection for the land and a deep sense of pride in his heart. Drawing on his extensive local experience and knowledge, he diligently wrote over many years, drawing on extensive sources and expressing his passion and passion, resulting in \"Penang Notes\" and \"Penang Notes: Sequel,\" two essential classics of Penang local history for enthusiasts of Southeast Asian literature and history.\u003c\/p\u003e\n\u003cp\u003e As time passes, Penang society undergoes rapid transformation. The people and events depicted by the author have, with the passage of time, become stained by the passage of time, or vanish into thin air. Fortunately, the author's brilliant writing captures that period, allowing us to transcend time and space and experience the unique charm of Penang's \"spirit.\"\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e Kwong Kwok-cheung\u003c\/p\u003e\n\u003cp\u003e Originally from Yongxing, Dapu, Guangdong, China, he was the great-nephew-in-law of Zhang Bishi, the first vice-consul of the Qing Dynasty in Penang.\u003c\/p\u003e\n\u003cp\u003e At the age of 26 (1930), he went to Penang and took over the middle school for decades. He also served as editor of the Star Penang Daily.\u003c\/p\u003e  \u003cp\u003eHis book \"Penang Notes\" was published by World Book Company in Singapore in 1958, and \"Penang Notes: Sequel\" was published in 1973.\u003c\/p\u003e","brand":"周星衢基金","offers":[{"title":"Default Title","offer_id":50504968011992,"sku":"M00561","price":40.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/9789811879050.jpg?v=1751093942"},{"product_id":"正月初九天公生-马来西亚华人拜天公礼俗","title":"The ninth day of the first lunar month: The birthday of the God of Heaven – Malaysian Chinese customs of worshipping the God of Heaven","description":"\u003cp\u003e Publication Date: 2024\/05\/01\u003cbr\u003e Author: Li Yongqiu Pages: 220\u003cbr\u003e ISBN：9789671511022\u003cbr\u003e Publisher: Zhicheng Literature and History Studio\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction: \u003cbr\u003e\"The Birth of the Jade God on the Ninth Day of the Lunar New Year: Malaysian Chinese Worship Customs of the Jade God\" is the first book dedicated to the Chinese custom of worshipping the Jade God in Malaysia. It uses historical documents to demonstrate that worshipping the Jade God is practiced in many parts of China, not just in Fujian. The practice did not originate in the massacre of Fujianese people, but rather stems from the Taoist classics that record the Jade Emperor's birth at noon on the ninth day of the Lunar New Year. The book also explains the numerous offerings, including cakes, sacrificial offerings, fruit, tea, candied fruit, the Five Animals, sugarcane, tea and wine, incense and candles, tablecloths, Jade God seats, and paper money, as well as how to improve luck and other aspects of the custom. The book features over 700 full-color images.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003cbr\u003e Li Yongqiu\u003cbr\u003e\u003cbr\u003e He was born in Taiping, Perak, Malaysia, and his ancestral home was Koukeng Village, Bokou Township, Yongtai, Fujian (formerly the eldest branch of the Li family in Hutou, Anxi, Fujian).\u003cbr\u003e\u003cbr\u003e After graduating from Form 3 at Taiping Hua Lian National Type Secondary School, he assisted his father in his hawker business while conducting field research on history, folklore, and culture. He published articles in newspapers and magazines under pen names such as Li Tao Li and Baba Qiu.\u003cbr\u003e\u003cbr\u003e In 2004, he became a full-time cultural and historical worker and participated in many academic paper presentations at home and abroad.\u003cbr\u003e \u003cbr\u003eHe has published several books and served as the host of the documentaries \"Baba Ball\" and \"Pirates and King Ships\", and the ASTRO AEC 13-episode documentary series \"Whose Tradition?\"\u003cbr\u003e\u003cbr\u003e Currently, he is a columnist for the Sin Chew Daily e-newsletter, a cultural and historical worker, a tour guide for Taiping cultural and historical sites, and a pipa singer.\u003c\/p\u003e","brand":"志成文史工作室","offers":[{"title":"Default Title","offer_id":50504968077528,"sku":"M00637","price":45.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/q2ZXLaXZ663d801c977d1_1715306524_5b427649-07e5-4352-a8f0-27f84d203c92.jpg?v=1751093941"},{"product_id":"武吉演义","title":"Bukit Story","description":"\u003cp\u003e Publication Date: 2023\/5\u003cbr\u003e Author: Chen Zhengxin Pages: 336 Format: 14.6 cm x 21 cm\u003cbr\u003e ISBN：9789670744827\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003c\/p\u003e\n\u003cp\u003e A novel by Chen Zhengxin.\u003c\/p\u003e\n\u003cp\u003e The novel begins on August 15, 1945, when Japan was defeated and surrendered, and ends on June 18, 1948, when the British colonial government declared a \"state of emergency\" on the Malay Peninsula. It narrates how the characters and events in the novel hesitantly, wasted time, or stumbled through these three years in this small town (Bukit, Bukit Mertajam).\u003c\/p\u003e\n\u003cp\u003e Chen Zhengxin:\u003c\/p\u003e\n\u003cp\u003e I have published \"The Bukit of Literature\" in the form of prose, and \"The Bukit of Fiction\" in the form of short stories. Now I am writing this \"The Bukit Romance\" in the form of a long novel.\u003c\/p\u003e\n\u003cp\u003e Wang Runhua's long preface recommends:\u003c\/p\u003e  \u003cp\u003eChen Zhengxin uses \"small narratives\" to write about temporary, accidental, and relative events that occur locally, partially, in special places, among special individuals, and among diverse ethnic groups, which sometimes helps him find the truth of history.\u003c\/p\u003e\n\u003cp\u003e About the Author:\u003c\/p\u003e\n\u003cp\u003e Chen Zhengxin, whose ancestral home is Puning County, Guangdong Province, was born in Penang, Malaysia in 1948. He graduated from the Mechanical Engineering Department of Ngee Ann Polytechnic in Singapore and worked in business for many years before now devoting himself to art.\u003c\/p\u003e\n\u003cp\u003e He has served as a director and vice president of the Malaysian Chinese Writers Association, a former director of the World Chinese Micro-Fiction Research Association, and former chairman of the Northern Malaysia Joint Committee of the Malaysian Writers Association. He began writing poetry in his early years and later began writing novels and translating foreign literature. He also writes literary criticism, plays, and short columns.\u003c\/p\u003e\n\u003cp\u003e His works include a collection of poetry, twelve collections of novels, one collection of essays and one collection of miscellaneous essays, five translated novels, and the play \"A Man of Principles\".\u003c\/p\u003e  \u003cp\u003eIn 2007, he received the Recommended Award in the Fiction Category of the 9th Huazong Literary Award. In 2008, he received the Special Award in the Fiction Category of the 1st Seagull Annual Literary Award. In 2014, his collection of short stories, Rippling Water Village, won the Special Award in the Fiction Category of the 1st China International Chaoren Literature Award. In 2014, his collection of essays, Bukit of Literature, won the Grand Prize in Literature at the Jinfan Book Award. In 2014, he won the 13th Malaysian Chinese Literature Award. In 2017, his collection of short stories, Bukit of Fiction, won the Malaysian Chinese Literature Award at the 14th Huazong Literary Award.\u003c\/p\u003e\n\u003cp\u003e In 2018, he won the 5th Nanyang Chinese Literature Award in Singapore. In 2021, his novel \"Bukit Romance\" won the \"Jury Recommended Award for Historical Novel\" at the 11th Global Chinese Literature Nebula Awards in Taiwan. In 2021, he won the 9th Malaysian Chinese Cultural Association Cultural Award (Literary Contribution Award). In 2022, his novel \"Bukit Anecdotes\" won the 12th Global Chinese Literature Nebula Awards' Historical Novel Writing Project Grant Award. In 2022, he won the first Teochew Literature Award in Malaysia.\u003c\/p\u003e\n\u003cp\u003e ▍Table of contents:\u003c\/p\u003e\n\u003cp\u003e Interpreting the Art of Short Narrative in Chen Zhengxin's \"The Story of Bukit\": \u003cbr\u003eThe New Tradition of Ethnic Fiction Preface \/ Professor Wang Runhua 6\u003c\/p\u003e\n\u003cp\u003e This Mountain, This Town, and Some Explanations Preface \/ Chen Zhengxin 20\u003c\/p\u003e\n\u003cp\u003e Chapter 1 Preface 30\u003cbr\u003e At the end of August 1945,\u003c\/p\u003e\n\u003cp\u003e Chapter 2 Preface 54\u003cbr\u003e In early September 1945, 58\u003c\/p\u003e\n\u003cp\u003e Chapter 3 Preface 84\u003cbr\u003e In mid-September 1945,\u003c\/p\u003e\n\u003cp\u003e Chapter 4 Preface 108\u003cbr\u003e October 11, 1945\u003cbr\u003e Postscript 128\u003cbr\u003e Appendix: English Schools in Bukit Town 134\u003c\/p\u003e\n\u003cp\u003e Chapter 5 Early November 1945 138\u003cbr\u003e Postscript 158\u003c\/p\u003e\n\u003cp\u003e Chapter 6 Preface 164\u003cbr\u003e August 1946 168\u003c\/p\u003e\n\u003cp\u003e Chapter 7 Preface 186\u003cbr\u003e November 189, 1946\u003c\/p\u003e\n\u003cp\u003e Chapter 8 January 1947\u003cbr\u003e Appendix 1: Bukit and India 232\u003cbr\u003e Appendix 2: Transporting Firewood 234\u003cbr\u003e Appendix 3: Teacher Koba 236\u003c\/p\u003e\n\u003cp\u003e Chapter 9 June 1947 240\u003cbr\u003e Postscript 258\u003c\/p\u003e\n\u003cp\u003e Chapter 10 December 1947 264\u003cbr\u003e Postscript 285\u003c\/p\u003e\n\u003cp\u003e Chapter 11 March 1948 288\u003c\/p\u003e\n\u003cp\u003e Chapter 12 June 16, 1948 308\u003cbr\u003e June 18, 1948 318\u003c\/p\u003e\n\u003cp\u003e Three Responses to \"The Bukit Story\" Postscript \/ Chen Zhengxin 329\u003cbr\u003e Appendix: Historical Trajectory 334\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504968143064,"sku":"M00462","price":48.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/4Z1UV5_dc12da76-568e-4d78-b284-ce96056f71ed.jpg?v=1751093940"},{"product_id":"武吉轶事","title":"Bukit Anecdotes","description":"\u003ch2\u003e \u003cstrong\u003e▍Content Introduction:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e A novel by Chen Zhengxin.\u003c\/p\u003e  \u003cp\u003eThe story spans nine years, from early 1949 to August 31, 1957 (Independence Day of the Federation of Malaya). During these nine years, Malaya was under a state of emergency, with a fierce struggle between the British colonial government and the Malayan National Liberation Army (MCP).\u003c\/p\u003e\n\u003cp\u003e This book won the 12th Global Chinese Literature Nebula Award in 2022: Long Historical Novel Writing Project Grant.\u003c\/p\u003e\n\u003cp\u003e Professor Xu Wenrong wrote a preface and recommended:\u003c\/p\u003e\n\u003cp\u003e In Bukit Anecdotes, Chen Zhengxin dwells on how the people of Bukit responded to the armed struggle between the colonial government and the Malayan Communist Party amidst the tide of the times, and the miserable lives they faced under the colonial government's relentless pursuit of suppressing the communists. The villagers' resilience, diligence, resourcefulness, and pragmatism in surviving these perilous circumstances are perhaps the historical anecdotes the author aims to highlight, and the thematic significance he aims to imbue through his reconstruction of history.\u003c\/p\u003e\n\u003ch2\u003e \u003cstrong\u003e▍Author:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003cstrong\u003eChen Zhengxin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e Born in Puning County, Guangdong Province in 1948 in Penang, Malaysia, he graduated from the Mechanical Engineering Department of Ngee Ann Polytechnic in Singapore and worked in business for many years before devoting himself to art.\u003c\/p\u003e  \u003cp\u003eHe has served as a director and vice president of the Malaysian Chinese Writers Association, a former director of the World Chinese Micro-Fiction Research Association, and former chairman of the Northern Malaysia Joint Committee of the Malaysian Writers Association. He began writing poetry in his early years and later began writing novels and translating foreign literature. He also writes literary criticism, plays, and short columns.\u003c\/p\u003e\n\u003cp\u003e His works include a collection of poetry, twelve collections of novels, one collection of essays and one collection of miscellaneous essays, five translated novels, and the play \"A Man of Principles\".\u003c\/p\u003e\n\u003cp\u003e In 2007, he received the Recommended Award in the Fiction Category of the 9th Huazong Literary Award. In 2008, he received the Special Award in the Fiction Category of the 1st Seagull Annual Literary Award. In 2014, his collection of short stories, Rippling Water Village, won the Special Award in the Fiction Category of the 1st China International Chaoren Literature Award. In 2014, his collection of essays, Bukit of Literature, won the Grand Prize in Literature at the Jinfan Book Award. In 2014, he won the 13th Malaysian Chinese Literature Award. In 2017, his collection of short stories, Bukit of Fiction, won the Malaysian Chinese Literature Award at the 14th Huazong Literary Award.\u003c\/p\u003e  \u003cp\u003eIn 2018, he won the 5th Nanyang Chinese Literature Award in Singapore. In 2021, his novel \"Bukit Romance\" won the \"Jury Recommended Award for Historical Novel\" at the 11th Global Chinese Literature Nebula Awards in Taiwan. In 2021, he won the 9th Malaysian Chinese Cultural Association Cultural Award (Literary Contribution Award). In 2022, his novel \"Bukit Anecdotes\" won the 12th Global Chinese Literature Nebula Awards' Historical Novel Writing Project Grant Award. In 2022, he won the first Teochew Literature Award in Malaysia.\u003c\/p\u003e\n\u003ch2\u003e \u003cstrong\u003e▍Table of Contents:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e Local Customs, Resonance of Literature and History: Preface to Chen Zhengxin's \"Bukit Anecdotes\" \/ Professor Xu Wenrong 5\u003cbr\u003e Description of main characters 21\u003c\/p\u003e\n\u003cp\u003e Chapter 1: 1949, Year 25\u003cbr\u003e Mid-year 36\u003c\/p\u003e\n\u003cp\u003e Chapter 2: Early 1950 47\u003cbr\u003e 61 at the end of the year\u003c\/p\u003e\n\u003cp\u003e Chapter 3: Early 1951 73\u003cbr\u003e Mid-year 84\u003cbr\u003e End of the year 94\u003c\/p\u003e\n\u003cp\u003e Chapter 4: The beginning of 1952 117\u003cbr\u003e Mid-year 129\u003cbr\u003e 135 at the end of the year\u003c\/p\u003e\n\u003cp\u003e Chapter 5: Early 1953 147\u003cbr\u003e Mid-year 160\u003cbr\u003e 166 at the end of the year\u003c\/p\u003e\n\u003cp\u003e Chapter 6: Early 1954 177\u003cbr\u003e Mid-year 187\u003cbr\u003e End of the year 197\u003c\/p\u003e\n\u003cp\u003e Chapter 7: Early 1955 201\u003cbr\u003e Mid-year 211\u003cbr\u003e Year-end 220\u003c\/p\u003e\n\u003cp\u003e Chapter 8: The beginning of 1956 231\u003cbr\u003e Mid-year 241\u003cbr\u003e Year-end 249\u003c\/p\u003e  \u003cp\u003eChapter 9: The Beginning of 1957 261\u003cbr\u003e Mid-year 271\u003cbr\u003e Appendix 281\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504968241368,"sku":"M00811","price":43.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/Picture1_bbb9de71-a841-4f57-b7b7-eab4172d8764.jpg?v=1751093939"},{"product_id":"民国的慢船","title":"Slow Boat of the Republic of China","description":"\u003cp\u003e Publication Date: 2019\/06\/01\u003cbr\u003e Number of Pages: 254\u003cbr\u003e Size: Length 21 × Width 14.8 × Height 3cm\u003cbr\u003e ISBN：9789670744551\u003cbr\u003e Publisher: Youren Publishing House\u003c\/p\u003e\n\u003cp\u003e ▍Content Introduction:\u003cbr\u003e Novels can express aspirations, but they can also depress them. The eleven stories in this book are mostly pessimistic and melancholic, making them disheartening to read. But in Huang Jinshu's hands, this kind of despair, turned from the depths of his heart, becomes more like a plaything. You have to immerse yourself in it to emerge. He must have a deep accumulation and investment to summon the Malayan Communist Party deep in the rubber plantations, the betel nut beauties amid the Mambo waves of Taiwan, and those hilarious \"poet writers.\"\u003c\/p\u003e  \u003cp\u003eIn this context, \"novels\" are more like Huang Jinshu's cherished playthings, a means of \"losing one's ambition,\" a form of self-expression that is, in fact, another form of expression, a deeper one. He responded to the various tragic and bizarre conditions in Malaysia and Taiwan—hope and despair, emotion and dejection—in \"Slow Boat of the Republic of China.\" One is where he was born and raised, the other where he studied and settled. Someone, at some unknown time, simply because he happened to be there, forced something upon him. He shook his head in protest, but never let go.\u003c\/p\u003e\n\u003cp\u003e Huang Jinshu:\u003cbr\u003e \"The situation in Taiwan is dismal, and the history of the Republic of China has clearly entered a period of retreat. Therefore, the book's initial title was 'The Slow Boat Leaving the Republic of China'; but the environment in Malaysia also seems unfriendly, so the title was briefly considered 'The Slow Boat Sailing to the Republic of China'. However, the Republic of China ship is largely sunk in the past, with perhaps only the raised stern still barely dry. With its vector removed, the old, wrecked ship is left alone, drifting in the equatorial doldrums.\"\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e About the Author: \u003cbr\u003eHuang Jinshu, born in Malaysia in 1967, is currently a university professor and the author of several novels and essays.\u003c\/p\u003e\n\u003cp\u003e Born in Kluang, Johor, Malaysia in 1967, his ancestral home is Nan'an, Fujian. He went to Taiwan to study in 1986. He graduated from the Department of Chinese Language and Literature at National Taiwan University, received a Master's degree from the Tamkang Chinese Language and Literature Institute, and a PhD in Chinese Language and Literature from Tsinghua University. He has been teaching in the Department of Chinese Language and Literature at National Chi Nan University since 1996.\u003c\/p\u003e  \u003cp\u003eHe has written collections of short stories including Dreams, Pigs and Dawn (Jiu Ge, 1994), Dark Night (Jiu Ge, 1997), Carved Back (Maitian, 2001), Earth and Fire (Maitian, 2005), Memorandum of the Nanyang People's Republic (Lian Jing, 2013), Still Seeing Fuyu (Maitian, 2014), Fish (Yin Ke, 2015), and Rain (Bao Ping, 2016); collections of essays including Malaysian Chinese Literature and Chineseness (Yuan Zun, 1998), The Craft of Lies and Truth (Maitian, 2003), Text, Soul and Body (Maitian, 2006), The Malaysian Case of Chinese Mini-literature (Maitian, 2015), and the essay Burning (Maitian, 2016). He has edited The End of the World: A Selection of Malaysian Chinese Novels (Jiuge, 1997) and An Analogy (Shanghai Literature and Art, 2006); co-edited with Zhang Jinzhong, Don't Mention It Again: A Selection of Contemporary Malaysian Chinese Novels (1997-2003) (Maitian, 2004) and The Story Always Begins: A Selection of Contemporary Malaysian Chinese Novels (2004-2012) (Baoping, 2012); co-edited with Zhang Jinzhong and Zhuang Huaxing, Back to Malaya: Seventy Years of Chinese-Malaysian Novels (Dajiang, 2008); and co-edited with Zhang Jinzhong and Li Zongshun, The Years We Stayed in Taiwan (Youren, 2013).\u003c\/p\u003e","brand":"有人出版社","offers":[{"title":"Default Title","offer_id":50504968274136,"sku":"M00046","price":36.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6597\/3208\/files\/ZXq5oZ.jpg?v=1751093937"}],"url":"https:\/\/empressculture.com.my\/en\/collections\/malaysia-publications.oembed?page=7","provider":"三三出版社","version":"1.0","type":"link"}